Neag

导演亚历山大·纳诺(AlexanderNanau)跟随罗马尼亚报纸GazetaSporturilor的一个精锐调查小组，试图揭露一起巨大的医疗欺诈行为，这些欺诈行为让大亨和政客致富，并导致无辜公民死亡。

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

在德州名叫伯顿的普通小镇里，生活着一个并不开心的少女布里丝·卡文德（艾伦·佩姬 Ellen Page 饰）。她迷恋摇滚乐，对人生有着别样的憧憬，但却常被母亲布鲁克（玛西亚·盖·哈登 Marcia Gay Harden 饰）打扮成乖乖女，参加镇上举行的各种选美比赛，这令她倍感乏味。某个夜晚，布里丝和好友佩希（阿莉雅·肖卡特 Alia Shawkat 饰）去临镇奥斯汀观看了全由女子参加的轮滑对抗赛，女孩们的飒爽英姿和出色表现令布里丝倾倒，于是她决定学习轮滑。 　　布里丝瞒着父母，偷偷加入奥斯汀的胡安童子军轮滑队，在紧张激烈的训练和对抗中，布里丝结识了不少好朋友，同时也找到久违的乐趣……

导演亚历山大·纳诺(Alexander Nanau)跟随罗马尼亚报纸Gazeta Sporturilor的一个精锐调查小组，试图揭露一起巨大的医疗欺诈行为，这些欺诈行为让大亨和政客致富，并导致无辜公民死亡。