Corrigan

Sight Unseen, in partnership with Bell Media’s CTV, follows Tess Avery (Dolly Lewis, The Dutchman’s Pipe), a top homicide detective who is forced to quit the job she loves after nearly killing her partner and being diagnosed as clinically blind. Reluctant to accept help, Tess uses an assistance app and connects with Sunny Patel (Agam Darshi, DMZ), a professional seeing-eye guid...

在监狱里度过了漫长的十九年后，新的DNA证据的出现终于还了丹尼尔（阿登·杨 Aden Young 饰）一个清白。然而，死囚监狱中的漫长岁月和巨大创伤无法挽回和修复，当丹尼尔重新回到了社会中时，他发现，一切早已经发生了翻天覆地的变化。 丹尼尔的归来让小镇上的居民们整日惴惴不安，在法律程序中，丹尼尔已经是无罪之身，但在世人的眼中，他依旧是那个残忍的杀害了自己女友的罪犯。无法摆脱的过去一次又一次的将企图重新生活的丹尼尔拽入泥潭，陌生的家庭成员，貌合神离的昔日旧友，所有的一切都提醒着丹尼尔，这个世界早已经不再友善，与此同时，越来越多的人开始质疑丹尼尔的清白。真相究竟是什么？丹尼尔能否摆脱目前的困境呢？

野心勃勃的律师库伦（比尔普曼）即将成为联邦法官，却不智地在得到奉派之前喝酒误事，强迫新来的秘书苏菲（嘉柏莉安沃）与他在办公室内发生性关系。另一方面，有前科记录的青年纳森（戴文沙瓦）决定进城见见他素为谋面的生父--库伦；在纳森尚未来得及对库伦表明身份前，这对父子见了面，不知纳森身世的库伦竟向儿子提议，欲雇用纳森去杀向他勒索的苏菲；纳森拿著装满钞票与一张照片的信封后离去，向朋友提起此事后便将信封丢弃。不料，朋友之中有一位亟需现金周转，因而将信封捡了回来，决定「拿人钱财与人消灾」，杀了照片中的女人；纳森能及时阻止友人犯下大错吗？

库伦（比尔·普尔曼 Bill Pullman 饰）是行业内首屈一指的大律师，即将坐上联邦法官的宝座。然而，在这个节骨眼上，库伦却因为精虫上脑而强暴了自己的新秘书苏菲（加布里埃尔·安瓦尔 Gabrielle Anwar 饰），为了不让自己的兽行败露，库伦决定雇佣一名杀手将苏菲除掉。 内森（戴文·萨瓦 Devon Sawa 饰）是库伦素未谋面的私生子，因为想见一见父亲，内森来到了城里，在双方均不知情的状况下偶遇了库伦。荒谬的是，库伦竟然在误打误撞之中想要雇佣内森除掉苏菲。尽管拿到了钱与线索，但良心的谴责让库伦最终放弃了暗杀计划，可是，库伦的一个朋友知道了这件事，他决定代替库伦将这笔钱挣到手。

梅根（芭芭拉·斯坦威克 Barbara Stanwyck 饰）和未婚夫琼斯（沃尔特·康诺利 Walter Connolly 饰）即将携手步入婚姻的殿堂。琼斯是一名虔诚的基督教徒，为了传教，梅根跟随琼斯来到了中国。一场意外中，两人在误打误撞之下闯入了军事禁区，就此解释了颜将军（尼尔斯·阿斯瑟 Nils Asther 饰），三人之间结下了深厚的友谊。　　随着时间的推移，颜将军渐渐爱上了天真烂漫的梅根，两人之间的距离越来越近。颜将军在事业上受到了重创，导致了众叛亲离的下场，在这危机时刻，梅根选择不离不弃的陪伴在颜将军的身旁。可是，颜将军误以为梅根这么做是为了自己的未婚夫，这误会导致两人的感情产生了裂痕。

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!