Andrej
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导演：
伊凡·兹夫科维奇,Milos Kodemo
主演：
剧情：
在前四季中饰演威廉“公爵”威灵顿的斯图尔特·马丁将不会回归第五季。凯特·菲利普斯（曾出演《狼厅》、《王冠》）将回归饰演伊丽莎·斯卡雷特小姐，出演第五季的调查剧，该剧将更名为《斯嘉丽小姐》。
导演：
伊凡·兹夫科维奇,Milos,Kodemo
主演：
剧情：
在前四季中饰演威廉“公爵”威灵顿的斯图尔特·马丁将不会回归第五季。凯特·菲利普斯（曾出演《狼厅》、《王冠》）将回归饰演伊丽莎·斯卡雷特小姐，出演第五季的调查剧，该剧将更名为《斯嘉丽小姐》。
导演：
爱德华·格莱纳
剧情：
与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
导演：
斯尔詹·德拉戈耶维奇
剧情：
How easy is it for desperate youngsters to become dangerous gangsters in a decaying society washed all over by the blood of war Fairly easy indeed. Rane shows incidents, probably somewhat facts, that took place in Serbia of the war era. Things similar to what you see on this film could happen virtually everywhere, but this film gives a very Yugoslavian feeling to everything. Yugo style mafia, Yugo style murder, and all that. Revolting politicians and their greed are to blame, not only the desperate young men who lose their reasoning while trying to be someone. The film and the casting is overall successful, and it's so very Serbian. I recommend it to anyone who.. well anyone who likes a good film. But don't expect anything American style on this one, as I say it's Yugo to the bone.
