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导演:
张忠华
剧情:
本故事讲述的是上世纪90年代末发生在陕西关中农村的童年故事。在以成绩高低作为评判学生好坏的环境中,小学生巴王超过在老师与家长的眼中是那种不学无术的“渣滓”。得不到家长和老师认同的巴王超过,将田野里一棵可以栖息的大树变成了自己的“好地方”,并将所有“好玩”的东西都藏在了那棵大树的上面。孩子的天性,让巴王超过与成人世界充满了斗争,直到有一天,他的处境因为前来支教的粉提老师而改变了!粉提老师让他负责班级里的图书管理员,同时他也与女老师成了好朋友,他的“好地方”也成了女老师的“好地方”。然而好景不长,他在粉提老师面前特殊的待遇,又因为粉提老师的男朋友的到来而改变了……
导演:
崔嵬
剧情:
一九七五年春天,为保证铁路正常运输,中州铁路局商洛电务段组织了以革委会主任路云志为首的设备检查整修队,决心步行二百五十公裡,在管区内的铁路沿线进行设备检修。 “四人帮”的亲信姚兴邦等,害怕路云志等人的行动打乱他们“稳住上海,搞乱全国,乱中夺权”的阴谋,便给路云志他们制造重重障碍,污蔑他们搞“唯生产力论”等等。但是,这一切都没能阻止整修队前进。姚兴邦又派人到整修队进行分化瓦解,也未得逞。继之,又妄图制造火车相撞事故。由于路云志挺身抢救,使事故得以避免。姚兴邦狗急跳牆,派他的保镖非法绑架了路云志,逼他承认步行二百五十裡是“走资派”搞的黑样板,并要他交出后台。整修队在看道工人和群众的帮助下,经过一场搏斗,救出了路云志,又克服重重困难,胜利到达了检修的终点站。
导演:
原田真人
剧情:
正义感十足的新人检察官冲野启一郎(二宫和也 饰)十分敬仰当初的导师最上毅(木村拓哉 饰)。经过数年的历练,冲野终于如愿以偿调到东京地方检察厅刑警部,与成为最上麾下的一名得力干将。与此同时,橘沙穗(吉高由里子 饰)也加入刑警部,成为冲野的事务官,但她真正的身份是卧底,其目的是获取检察官为了争取顶罪而使用非常乃至违法手段的铁证。不久后,一起夫妇谋杀事件将犯罪嫌疑人松仓重生(酒向芳 饰)带到冲野面前。松仓是23年前一起花季少女杀人案的嫌疑人,但因缺乏证据无法将其定罪,此案最终过了追诉期。愤恨不已的最上执拗地要将松仓绳之於法,为此他不惜授意冲野拼尽全力朝着预设的方向推进。人性当前,谁也无法保持100%的正义。
本片根据雫井脩介2013年发表的同名小说改编。
导演:
Radványi,Géza
剧情:
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
导演:
鲍方,唐龙
剧情:
侠盗我来也云游四方,来至一小镇发现当地恶霸杜占魁强抢民女。我来也来到杜占魁开设的赌场,赢得钱后交与女孩父母将女孩赎回。杜占魁见我来也身怀绝技,便以重金相邀,将我来也留在赌场。我来也化名王小三,在赌场潜伏下来。
一天深夜,我来也发现赌场银库被盗,来人只留下一把飞刀和一张写有“我来也”的纸条,这分明是有人在冒充我来也。杜占魁立即报官,捕快梁班头认为新来的王小三有重大嫌疑。但经过查找,未能找到失窃银两,只得作罢。我来也看着盗银库的人留下的飞刀,心中已经大概了解一二。他来到白天在街面上表演飞刀的徐正忠家,却从邻居口中得知,并未暴露身份的徐正忠带着我来也分发给他的银两到杜占魁的妓院去赎表妹小红了。
我来也知道杜占魁的银两都有梅花标记,一旦徐正忠使用银两便会暴露。但我来也还是来晚了一步,徐正忠已经被梁班头捉捕关入大牢。为了救徐正忠和小红,我来也有意帮杜占魁赢得了...
导演:
方沛霖
剧情:
唐高宗(殷秀岭饰)年间,在朝廷、宫闱的一片私议和反对声中,武则天(顾兰君饰)从感业寺被召入宫。她聪颖过人,巧言令色,赢得高宗对她的偏爱。为廓清参政道路,剪除敌对势力,将韩国夫人和王皇后被害致死,从而夺得政权,立武氏七庙,改唐为周;登上王位。接着她恩威并施,制服异己。中书令裴炎谏请还政皇帝,以谋反罪被处死。她进而改善政制,减轻徭役赋税,藉以稳定人心。在武则天威武显赫达到登峰造极之际,她开始耽于逸乐,玩弄男性,终日与薛怀义和张氏兄弟厮混。于是朝政日疏,国事日非。为控制局面,任用酷吏来俊臣等,专事陷害无辜,以致民怨沸腾。她心力交瘁,日趋衰老,政权也随之丧失。
导演:
唐·方李洛伊
主演:
剧情:
南非加莫拉岛拥有丰富的石油和钻石资源。在维吉尼亚州中情局总部一场政治阴谋正在计划着。德生是中情局的腐败份子,他以中情局的名义雇佣了查波的军团,表面上是帮助中情局去推翻驻军加莫拉岛军阀西比阿尔福卡的统治,而背地里德生是想要把加莫拉岛的资源占为己有。西格接到任务后带领着琼斯去前线与西比阿尔福卡军团战斗。但因情报有误,西格与琼斯遭到了法国突击队的围剿,琼斯牺牲了。西格请求援军但德生没有任何回应,他意识到被他们出卖了,便带着伤员逃离了战场。 西格回来后立即前往琼斯的家中看望了他的妻儿,留下了抚养费并向他的妻子保证定会给琼斯报仇。查波接到了新的任务,希腊军火商阿迈特戴森准备出大价钱来救出被关在监狱中的儿子。阿迈特戴森的儿子被关押在兰度监狱,这所监狱是南半球戒备最森严的监狱。查波觉得靠他现在的手下完成这次任务的话,几乎是不可能的,他便把西格请来,并让手下劫持了琼斯的妻儿强迫西格完成这次任务。西格对查波的雇佣兵并不信任,便要求与佣兵黑客塞繆尔一同执行这次任务。 德生怕西格对他进行报复,他便安排西格的情报专家玛克辛对西格进行监视。他从玛克辛口中得知了这次新任务,德生决定对此次任务进行干扰并找机会除掉西格。一切准备就绪,查波的雇佣兵团前往了监狱,按照西格的计划,他用对讲机远程指挥着队伍,一切都顺利的进行着。但监狱中却没有阿迈特戴森儿子的身影,反而这时警报响起,所有狱警出动歼灭了查波的雇佣兵团。与此同时,德生从玛克辛那里得到了情报,西格的真正目标是纳塔尔国家银行,这间银行是全世界最安全的银行,玛克辛与西格乔装成了拆弹人员混进了银行内部,并依靠塞缪尔的电脑远程操控,成功入侵了银行的安全系统,并把5200万美元存入了德生的账号。此时德生来到了银行抓捕西格,但他却遭到了西格的伏击后晕倒在地,原来从一开始玛克辛就散播假情报给德生,为的就是完成这次复仇计划,现在有了入侵银行的证据德生有口难辩,德生醒来时手握着5200万存款的收据,被好望角警局局长当场抓捕。 查波知道大势已去,便挟持人质琼斯妻儿躲回了老巢,西格让塞繆尔追查到了查波的地址,经过一番激烈的枪战,最终西格消灭了查波与雇佣兵团,完成了自己的诺言,祭奠了好友琼斯的在天之灵。
导演:
李新
剧情:
改革开放初期,某厂总工程师李青远(方子哥 饰)因大胆改革,使长年亏损的企业扭亏为盈,并将产品打入国际市场,被破格提拔为副市长。市里为他筹备了一个隆重的上任新闻发布会,可他却行色匆匆地赶往火车站。记者严芳(陈肖依 饰)顿感蹊跷,只身悄悄跟了过去,李青远感觉有人跟踪,他扔下手中行李急忙脱身,不料被小偷取走。盗得行李的小偷从火车上跌落摔死,现场遗留物品均证明死亡的是李青远。死讯传回李家,正待巴结李青远的金副局长(郑保民 饰)立即翻脸,原本送给李家的家俱、钢琴要李妻方丽茗(詹萍萍 饰)全款照付,房管局长则暗示方丽茗母女要搬出现住的小楼。正在这时,李青远回来了,大家目瞪口呆......
导演:
王逸
剧情:
本片根据同名话剧改编。解放战争时期,青年学生们在共产党的领导下与国民党反动派进行斗争。大学生方哲仁只管做学问,不问政治。为了破坏学生运动,国民党特务陈雪屏、江正卿暗中拉拢方哲仁。为了迷惑方哲仁,他们装扮成青年军,打伤了担任学生宣传工作的方的表妹宋蓓华,方因此对青年军产生误会,与宋发生了分歧。地下党领导人何迈及时帮助教育了方哲仁,方的思想清醒了。反动军官来逮捕何迈,方哲仁挺身而出,和同学们一起保护了何迈。“五.二0"学生运动中,方哲仁不幸被捕入狱。在狱中,他经受了敌人的严刑拷打,威逼利诱,但他意志坚定,不畏淫威,誓死不向敌人投降。解放后,他被从狱中救出。新中国成立了,方哲仁和青年学生们担负起了建设新中国的任务。他们用自己的行动,谱写着一曲“民主青年进行曲"。
导演:
张杨
剧情:
早年丧偶育有两子的老刘(朱旭)苦心经营了一辈子澡堂子,是京城搓澡行业的一把手。长子大明(濮存昕)离家南下多年没归,身边只有傻二儿子二明(姜武),加上澡堂子生意日益冷清,老刘生出无限凄凉,好在,他还有一帮离不开澡堂子的老伙计相陪。 某日,大明突然归来,令老刘错愕不已,原来他是收到二明寄发的明信片误以为父亲病逝才匆忙赶回。而面对安然无恙但已到迟暮之年的父亲、什么也不懂的傻弟弟和破败的澡堂子,大明毫无久留之心,只想速速返程。就在大明动身时刻,老刘突然犯病,不得已,大明放下行李开始照顾父亲、弟弟和澡堂子,自此,他开始试着去了解父亲,并渐渐生出感动。
导演:
D·J·卡卢索
剧情:
丹尼(方·基默 Val Kilmer 饰)从前拥有一个幸福的家庭,和妻子之间十分的恩爱。然而,不幸降临在了这个家庭之中,丹尼的妻子死在了毒贩的手中,而丹尼则成为了这一场惨剧的目击者。愤怒而又绝望的丹尼发誓要替妻子报仇,他前往洛杉矶大名鼎鼎的沙顿海,那里是毒贩和黑手党的聚集地,他要杀的人就在那里。
丹尼隐姓埋名成为了警方的线人被安插在贩毒团伙之中,在寻仇的过程中,丹尼渐渐的迷失了自我,对他自己所做的一切事情的意义产生了怀疑,唯一支撑着他继续走下去的,便是妻子温柔的面庞。不仅如此,丹尼还有这一个音乐梦,他随身携带着一支小号,奏响自己的命运。
导演:
罗伯特·路克蒂克
剧情:
自古婆媳关系大多棘手,查丽(詹妮弗·洛佩兹 Jennifer Lopez饰)也遇上了同样的问题。当她就要和男友凯文(迈克尔·瓦尔坦 Michael Vartan饰)百年好合时,却遇到了一个严峻的问题:凯文的妈妈菲尔茨太太(简·方达 Jane Fonda饰)对这个未来儿媳另有意见。菲尔茨太太曾经拥有体面的事业,然而如今她把全部的爱和心思都摆在儿子身上,不能接受查丽的“入侵”。
菲尔茨太太联同助手一起,千方百计地要把查丽这个不速之客赶走,查丽好不容易才觅得如意郎君,当然不能束手就擒,招数一来一往,两方都在暗处开始较量。