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导演：
Emanuele,De,Santi,朱里奥·德·桑蒂斯
剧情：
影片情节设置在一个叫作天堂谷的虚构国度，一个男人叫做亚当卓别林的故事。亚当在他的妻子死后发现她的死因非常可疑，于是他开始调查妻子的死，之后他发现妻子的死和当地的黑帮老大丹尼理查兹有关。但是警察对黑帮老大无可奈何，因为他拥有颠倒是非黑白的能力。被仇恨占据了的亚当，召唤了一个拥有超人的黑暗力量的恶魔。恶魔跟随亚当出行，并承诺将带亚当找到凶手，但是前提条件是亚当必须按照他说法去行事。这一边，丹尼理查兹也让他两个残暴的儿子本和德里克，以及他的雇佣杀手们去对付亚当。血腥的战斗一触即发。
导演：
阿兰·鲁道夫
剧情：
Three showgirls on their way to Las Vegas have car trouble and are stuck all night out in the desert. The next morning cheerful Andre offers them help in fixing their car. However, Andre is really a maniac with a lot of family problems; his mother ran out on him when he was a child so now he keeps kidnapped women chained up in his barn and trains them to perform circus tricks.
导演：
史蒂芬·考格内提
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在一次万圣节鬼屋之旅的五个晚上，一场莫名其妙的故障导致15名游客和工作人员死亡，一位纪录片摄制组又回到悲剧现场，去发现究竟发生了什么。
导演：
艾迪·沃克,Michael Hurst
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讲述当14岁的英国女孩IssieBrown搬到新西兰农村KauriPoint，这个地方不是一个普通的农业城镇，这里正在发生奇怪的事情。一匹骏马，还有只有女孩自己能看见的神秘灵马，随着女孩和新认识的小伙伴深入调查，事情变得越来越奇怪......
导演：
陈怡妤
剧情：
高顔值180cmt身高陣容雙CP卡司公布！張碩航穿越22年化身外送员與霸總系富二代王肇緯開啟命定戀爱[禁慾系]上司陳璽安開撩「便利貼丿新人徐韜展開甜虐［職場格差戀]带動台灣BL劇熱潮的《HIStory》系列，繼大受好評的《HIStory4-近距離爱上你》後，時隔一年推出全新一季原創#奇幻愛情劇《HIStory5-遇見未来的你(英文名：LoveintheFuture)》，LINETV今公開雙CP卡司，包括張碩航、王肇緯、陳璽安、徐韜4位主演。劇中張碩航将穿越22年時空，化身個性開朗陽光的外送员，與#霸總系贵公子王肇緯大談#命定戀爱。陳璽安饰演有反差魅力的「禁慾系]上司，與刚進公司的「便利貼]新人徐韜共譜「職場格差戀」，主演群平均身高超過180公分，高顔值陣容令人期待《HIStory5-遇見未来的你》日前舉行開镜儀式，由巧克科技新媒體暨LINETV執行長陳立人與導演陳怡妤带領原創團隊與全體劇组上香祈福。該系列将挑戰穿越題材，透过22年的#時空差，以及上司與新人的#格差戀，營造出笑料滿满、甜虐交織的BL劇，将带給觀眾全新感受，預计今年第四季開播。張碩航有「櫻花系男孩】之稱，飾演個性開朗、活力十足的大四生「何柏緯」，原本是快遞员的他，陰錯陽差從2000年穿越到2022年，莫名變成外送員#戴哲尼，接到的第一筆訂單顧客便是王肇緯饰演的#海翼，這段命運般的相遇，開啟了#大海CP的命定戀爱。有趣的是，1995年生的張碩航2000年僅5歲，为了掌握時空背景，他到虚找年约40歲的路人聊天，「像是计程車司機、餐廳店员，一起搭電梯的鄰居等，問他們當時流行什麽。」他也為了詮釋外送员角色，到處觀察不同的外送员，他笑說：「無論性子急不急，外送员的共同特質就是急著送下一單！」外型酷帥笑起來像大男孩的王肇緯，飾演個性霸道、長年待在海外的富二代，為符合角色形象，他也在開拍前做足功課，包括講話的腔调及走路的方式，要如何自然地顯露出「霸味】都是他練習的重點。他說：「比較難的是詮釋霸道的口吻，不是兑、大聲就好，他是更需要有情绪口吻，讓人感受到情绪的對話。]擁有好身材的他，為戲更積極健身，因為「海翼】是擒拿高手，他還為角色特别上了「擒拿课]，在武打動作上也下了不少功夫。擁有俊美外型的陳璽安演戲经驗豐富，這次首次主演BL劇，饰演外表高冷、内心温柔的#禁慾系上司#梁文森，他表示為符合專業經理人的菁英形象，除了閱讀相關書籍，「我也找了幾位经理級的朋友，問了一些他們工作的心得，還有去觀察他們工作。」他也為情感内斂的角色設计一些「微表情】。不僅如此，他還為戲增重、增加重訓频率，希望呈現更好的體態。濃眉大眼带有少年氣息的徐韜則是再度主演BL劇，饰演從小在孤兒院長大的#林懷恩，在公司是任人使喚的#便利贴新人，他将與飾演上司的陳璽安展開#森林CP的#職場格差戀。
导演：
Edward,L.,Cahn
剧情：
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
艾迪·沃克,Michael Hurst
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讲述当14岁的英国女孩Issie Brown搬到新西兰农村Kauri Point，这个地方不是一个普通的农业城镇，这里正在发生奇怪的事情。一匹骏马，还有只有女孩自己能看见的神秘灵马，随着女孩和新认识的小伙伴深入调查，事情变得越来越奇怪......
导演：
弗莱德·戴克尔
剧情：
In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.
导演：
卓比·哈罗德
剧情：
年轻的克莱（海登•克里斯滕森 饰）拥有数十亿的身家，但父亲的逝世对他的影响太大，他也讨厌母亲莉莉丝（莉娜•奥琳 饰）变得爱管制他。克莱也一直回避让母亲知道他与母亲助手萨曼莎（杰西卡•阿尔芭 饰）恋爱这件事。越是反对，越是反抗，最终他还是与心爱的萨曼莎结婚了。 克莱有严重的心脏病，心脏移植才能活命，无奈他的血型鲜有，待终于找到了适合的心脏时，他拒绝让世界级医生给他做手术，而是选择了自己的好朋友医生杰克（特伦斯•霍德华 饰），一个医疗事故缠身的医生。 手术准备开始，克莱以为自己已被麻醉，令他恐慌的是自己的意识竟如此清晰，甚至能感受到身体被剖开，只是身体完全不能动弹。他听到了医生们的谈话，竟然听到了杰克与萨曼莎之间的阴谋，伤心欲绝的他想着自己将要离世了，却在这时候看到了自己的母亲，母亲告诉他不能就此死去……
导演：
Peter,Mourougaya
剧情：
Thang Máy là câu chuyện kỳ bí xảy ra với những cô gái trẻ khi đi Thang Máy một mình. Mọi chuyện bắt đầu khi Jina đột nhiên mất tích sau khi livestream trong thang máy. Sự cố này gây ra nỗi sợ hãi tâm lý trong tâm trí Trang đến mức cô bị ám ảnh không thể bước vào thang máy ở bất cứ đâu. Cho đến khi người bạn thứ hai - Ngọc - cũng mất tích khi đang livestream trong chính cái thang máy của khu bệnh viện cũ kỹ.
导演：
小椋久雄,河野圭太,平野真
剧情：
修一郎（真田广之 饰）年纪轻轻就成为了知名企业的负责人，长久以来养成的职业习惯令他不信任身边的任何一个人。一天，修一郎感到身体有点不舒服，于是前往唯一一家他信任的诊所看病，在那里，他解释了名叫孝之助（玉置浩二 饰）的男人。
孝之助是一个生活穷困潦倒的男人，但是却整天乐呵呵的，总是无条件的信任周围的人，他的存在让修一郎感到非常的不可思议，可以这么说，孝之助就是修一郎性格的反面。在和孝之助相处的过程中，修一郎渐渐学会了信任之道，与此同时，一位名叫香织（松岛菜菜子 饰）的女性走进了修一郎的生活，让他重新燃起了爱的希望。
导演：
平山秀幸
剧情：
春休假期，东京某小学的学生在小田桐理香老师（西田尚美 饰）的带领下来到一座寺院宿营。男孩女孩们欢声笑语，吵闹不断；寺院住持（米仓齐加年 饰）慈祥可亲，平易近人。宿营的最后一日4月4日，作为宿营的保留节目，夜晚的试胆游戏自然必不可少。孩子们用心准备，而寺院小偷浅野和成（野村宏伸 饰）则趁乱盗走这里的镇山之宝。一名学生进入附近的小学，意外中止了钟楼的齿轮。黑暗瞬间笼罩这座小山，忙打乱撞进入校舍的真弥（细山田隆人 饰）、阿司（阿部大和 饰）等人以及小偷将遭遇人面犬、花子等传说中的恶灵。百鬼夜行，恐怖之夜拉开序幕…… 本片根据常光彻的同名小说改编。
导演：
Hélène Cattet,布鲁诺·福扎尼
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影片聚焦在安娜的童年、青春以及成年时期的不同阶段，三个重要的人生时刻，都充满了欲望，同时也诠释了她的一生。
导演：
Victor Canache
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Secluded from the world, in XIX century rural Romania, a widow and mother of three must defend what's left of her family, at all costs, from an old family friend turned foe. Based on one of the best-known Romanian folk tales (The Goat and Her Three Kids by Ion Creanga), this film aims to unveil the true nature of the famed bedtime story and to treat the audience to a different ...
导演：
筱田正浩
剧情：
《干花》这部风格强烈的「艺术黑帮片」制作于任侠电影黄金时代的开端，以强烈反差的黑白摄影及武满彻诡异的配乐，带领观众梦游石原慎太郎原著的「仁义」地下世界。 作为松竹新浪潮的一员，篠田正浩则是自觉地离开片厂，走上独立制作的道路。篠田的《乾花》有趣的地方，可能是见到本是文艺小生的池部良，如何开始转型成为一位「任侠」。虽然在这部电影中，他还是一个典型的石原慎太郎太阳族小说的迷惘主人翁，但走上罪犯的道路后，他很快就成为「昭和残侠」的一员。日本的黑帮片，可能是把罪犯神话化的极致了。 《干花》，这部筱田正浩的新浪潮时期的作品，改编自石原慎太郎的原著。这部小说和另外一部石原慎太郎作品《太阳的季节》的出现，给新浪潮中重要一类电影立下了“太阳族电影”的名字。这部冷酷迷人的电影所展现出来的虚无主义情绪似乎比大岛洼的成名作《残酷青春物语》还要强烈得多，技术也更高超得多。 除了以自身阴郁的黑白摄影对原著进行的视觉呈现所散发出的独特气息，它仍残留着石原慎太郎太阳族电影——文学作品的印记。不过在此番中，通常发生在小说男主人公身上的反叛与虚无情绪被转移到了另一位神秘、迷人、疯狂、麻木、空洞、绝望的年轻女孩身上，而男主角却几乎成了黑色电影的经典形象——一个没有希望和生存目的的孤独杀手，迫不得已不得不继续在这条充满陷阱的路上走下去。男女主人公，刚欲建立起来的感情联系在这个危险和绝望的世界中迅速被自身的惰性和冷酷的外部世界撕裂了，还来不及清醒地确认自身的存在与悲剧感。 筱田正浩所采取的绝不是一种类型片的拍法，他的这部审视战后日本社会心理形态的作品，有着强大而深沉的批评力量。它是内敛的、阴郁的、冷酷的、无声尖叫的、像夜本身一样富于沉重的压迫感的。筱田正浩对人在一种极端主义的处境中性与爱的歧化的、隐性的表现，有一种独特的眼光和品位，他的作品既有政治和社会眼光的深度，并且似乎总是无法剥离的，又有人性基本层面上的批判视野的力度，他不像典型的桃色片电影导演那样官能化地聚焦于身体摹写的原欲自身，也绝不是一位禁欲风格的社会学或人类学纪录者，他擅长改编文学作品的才能使它成为一位将社会立意的内在主题寄寓在美不胜收的视觉语言和具有诱惑力的文学叙事上的美学拓建设者；他的作品的形式与思想结合的完美总是让人久久陷于震憾。
导演：
阿尔贝托·米尔戈
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剧情：
在一家咖啡馆内，当抽着一整包烟时，一个男人提出了一个雄心勃勃的问题。"什么是爱？"。一系列的小插曲和情况将引导这个男人达到预期的结论。
导演：
Andrey,Zagidullin
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Contemporary Moscow. After a car accident, champion athlete Sergey Borozdin suddenly has a psychic ability to see past events. When he becomes a suspect in a series of murders, he is forced to use this ability to find the real killer.
导演：
Keola Racela
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当当地一个小镇的电影院里，五名青少年员工发现一部神秘的老电影藏在它的地下室里时，他们释放出一个诱人的苏布斯，给他们性教育......写在血液。
导演：
Pasith Buranajan,Kongkiat Khomsiri,Isara Nadee,Seree Phongnithi,Yosapong Polsap,Putipong Saisikaew,Art Thamthrakul
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六个昔日的同窗好友在分开多年之后分别收到了旧时好友Ta的邀请，于是他们一起离开曼谷前往儿时的故乡。记忆之门也渐渐敞开。
当时还在读中学的他们与校内好色的体育老师不和，一次偶然的机会，六人撞破了体育老师与Ta的继母Panor（Mamee饰）的奸情，并用DV录下。Ta将此事告知父亲，导致父亲与继母panor的对峙，panor更加愤恨Ta。疯狂的体育老师遂将六人抓起来进行虐打侮辱。受辱后的六人愤恨难平，于是前去求助神奇的巫师，请求降邪......
六人本以为过去的事已经远离，却不知此次旅行，却成为了他们万劫不复的噩梦......
