Tay
搜索"Tay" ，找到 254部影视作品
导演：
Ben Taylor
剧情：
蒂姆（达伦·伯伊德DarrenBoyd饰）年逾三十，可无论是事业上还是人生中，都只能用“一无所成”来形容，为此，他在他九岁儿子马库斯（裘德·怀特JudeWright饰）眼中的地位可谓是一落千丈。为了重新树立在儿子眼中的高大全形象，蒂姆毅然决然的辞掉了自己那份毫无前途可言的工作，但之后要做些什么，蒂姆心中一片迷惘。一次偶然中，蒂姆被军情五处招募成为了实习间谍，这一份特殊的职业让蒂姆的人生走入了新的纪元。古灵精怪的顶头上司，紧张刺激的各项任务，在压力与动力的双重刺激下，蒂姆能否找回真正的自我呢？他又能否挽回朱迪斯（多莉·韦尔斯DollyWells饰）早已经属于他人的芳心呢？
导演：
Peter,Ricq
剧情：
On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard partying parents from their predatory neighbour (Lauren Holly) who is intent on feeding them all to her undead family…
导演：
布瑞亚·格兰特
剧情：
It's 1998 and over the course of one 12 Hour Shift at an Arkansas Hospital, A Junkie Nurse (Angela Bettis), Her Scheming Cousin (Chloe Farnworth) and a group of black market Organ-Trading criminals (Mick Foley, David Arquette, Dusty Warren) start a heist that could lead to all of their demise.
导演：
大卫·德科提奥
剧情：
After troubled teen Katie is sentenced to house arrest, she falls for an attractive young man named John who has just moved in next door. While their affair seems harmless at first, Katie becomes increasingly convinced that there's more than meets the eye with John.
导演：
乔·赖特,丹尼尔·奥哈拉
剧情：
Brassic:源自考克尼俚语boraciclint(硼酸棉)的发音，形容人身无分文、一穷二白——“穷卵子打板凳响”。《穷卵打板》聚焦一个形影不离的兰开夏盗窃团伙——温尼(Vinnie,约瑟夫·吉尔根饰)，迪伦(Dylan,达米恩·莫洛尼饰)，卡迪/心停(Cardi,汤姆·汉森饰)，阿什(Ash,亚伦·赫弗南饰)，汤莫(Tommo,瑞恩·山普森饰)和JJ(帕斯·瑟克勒饰)——尽管一直以来无视规则潇洒度日，这群家伙即将尝到他们嚣张犯罪带来的苦果。与此同时，迪伦一而再再而三地令女友艾琳(Erin,米歇尔·基根饰)失望，使其萌生搬到别处为自己和孩子谋求更好生活的念头，这让迪伦必须在女友和基友间做出人生中最艰难的抉择。
导演：
Fred,F.,Sears
剧情：
While driving through the desert with his wife Carol Marvin to a military base to send the eleventh rocket to the orbit of Earth for helping the exploration of the outer space in the Operation Sky Hook, Dr. Russell A. Marvin and Carol see a flying saucer and accidentally records a message in their tape recorder. Once in the base, Dr. Russell is informed by his father-in-law and general that the ten first satellites had mysteriously felt on Earth. When Dr. Russell decodes the message, he encounters the aliens that ask him to schedule a meeting with the leaders of Earth in Washington in 56 days with the intention to invade Earth without panicking the population. Dr. Russell develops an anti-magnetic weapon that becomes that last hope of human race against the hostile aliens.
导演：
尼克·墨菲
剧情：
BritBox UK限定剧《敌友难辨》开拍，Damian Lewis正式签约加入，Guy Pearce则顶替了Dominic West。
本剧改编自Ben Macintyre的同名畅销纪实作品，《国土安全》主创Alexander Cary负责改编，《血疫》导演Nick Murphy执导。
故事从Kim Philby (Pearce饰)与MI6同事兼密友Nicholas Elliott (Lewis饰)的复杂关系出发，讲述了Philby这位MI6和KGB双面间谍的叛变。
卡司还包括Anna Maxwell Martin、Stephen Kunken和Adrian Edmondson。
这本冷战间谍惊悚纪实作品被认为有着伊恩·弗莱明和约翰·勒卡雷的气质，实际上，本书后记就出自间谍故事大师约翰·勒卡雷之手。
导演：
考塞尔·本·哈尼埃
主演：
剧情：
BetweenlightanddarknessstandsOlfa,aTunisianwomanandthemotheroffourdaughters.Oneday,hertwoolderdaughtersdisappear.Tofillintheirabsence,thefilmmakerKaoutherBenHaniainvitesprofessionalactressesandinventsauniquecinemaexperiencethatwilllifttheveilonOlfaandherdaughters’lifestories.Anintimatejourneyofhope,rebellion,violence,transmissionandsisterhoodthatwillquestiontheveryfoundationsofoursocieties.
导演：
克劳迪奥·法
剧情：
某医学博士在派对上被一名透明人杀死，探员特纳（彼得•费辛利PeterFacinelli饰）与丽萨在勘察现场时却被告知此案由国防部接手，而他二人的任务是保护女生物学家道尔顿（劳拉•里根LauraRegan饰）。另一方面，透明人在杀死医学博士前，得知令自己身体好转的缓冲药剂只有道尔顿才能提供……特纳与丽萨在保护道尔顿的当夜遭透明人袭击，利萨殉职，特纳在突然出现的军方包围中才明白道尔顿和自己都不过只是军方用来诱捕透明人的饵。愤怒的特纳带着道尔顿从军方的控制下逃跑，并要求后者说出透明人与军方千丝万缕联系之背后的真相。同时军方将特纳锁定为追捕对象，一场围绕军方、透明人和特纳三方的阴谋与追踪开始上演。
导演：
Artistaya Arriyawongsa,Theerakhaha Arriyawongsa
主演：
剧情：
Assigned by the professor, 5 senior university students were invited to the old mansion belongs to ML.Salukjit, an old elite who welcomes them with her weird attitude. Before the decision to leave or stay has been made, ML.Salukjit terrifies them and reveals her demonic power.
导演：
约瑟夫·罗西
剧情：
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
导演：
艾德·比安奇
剧情：
JeffreyDeanMorgan在剧中扮演迈阿密海滩上一家新开张的豪华饭店（MiramarPlaya）的主要投资人IkeEvans，冷静、睿智、有远见，但是也隐藏着一个危险的秘密。OlgaKurylenko扮演Ike的妻子Vera，曾经是一名歌舞女郎，婚后一直忠于自己的丈夫和家庭。DannyHuston扮演迈阿密臭名昭著的黑帮首领BenDiamond。JessicaMarais扮演Ben美丽的妻子Lily。StevenStrait扮演Ike的长子Stevie。ChristianCooke扮演Ike的次子Danny，个性纯真，工作努力。DominikGarciaLorido扮演在饭店附近长大的女仆Mercedes，目前在饭店中工作。ElenaSatine扮演高级妓女Judi，时不时会帮助Ike。Ike周旋于饭店的管理人员、员工、关系复杂的家庭和危险的黑帮头目之间，既要照顾好生意，又要照顾好家庭，还要提防不被人从背后捅刀子。与此同时，迈阿密这座魔幻都市白天富丽堂皇，夜里却展露出不为人知的黑暗真相。
导演：
伊娃·奥尔纳
主演：
剧情：
Fashionisidentityforteenagegirlsandonebrand,BrandyMelville,hasdevelopedacult-likefollowingdespiteitscontroversial“onesizefitsall”tagline.HidingbehinditsshinyInstagramfaçadeisashockinglytoxicworld,areflectionoftheglobalfastfashionindustry.Fastfashionisn’tallglitzandglamor–it’sabusinessthatsacrificeshumanityandpollutestheplanetforthesakeofprofit.MediastorieshaveexposedsomeofBrandyMelville’sunsavorypracticesandthat’swhysomecallitBrandyHell-Ville.源自：https://schedule.sxsw.com/2024/films/2198565
