Ina
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导演:
Roman Artemyev
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For some reason, forever young and always immaculately dressed, Koschey has been unable to find a bride for three hundred years. He intimidated, and kidnapped, and turned various princesses into frogs, but these courtship did not help the prince of darkness. Meanwhile, the beautiful hero Varvara only does what she fights off in the arena from suitors who covet her dowry. Howeve...
导演:
巴迪·吉欧凡纳佐
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《美国梦魇》拍摄于1986年,当时美国上下正处于“越南战争”的梦魇之中,在电影界也涌现出一大批批判“越战”的经典电影,有如《生于七月四日》《现代启示录》等,而本片是部独立电影,一经推出却淹没在了当时大导演,大制作的阴影之中,但影片《美国梦魇》却又是一部不折不扣的经典电影,影片描述一个从越战归来的士兵,从开始的惶惶不可终日,到最后的精神错乱,无论是导演的拍摄技法,到演员绝对有说服力的卖力演绎,从头至尾都让观众揪心,是不可夺得的经典影片,强烈推荐收看!
导演:
北村龙平
剧情:
Two criminals attempt to rob a local pawn shop. When their planned robbery goes awry and a gang of criminals find themselves injured with a resilient young female hostage in tow, they take refuge at a remote farmhouse to try to let the heat die down. But what they discover there is far more menacing. The Price We Pay is the latest slasher-action thriller from a Japanese director, Kitamura Ryuhei. Of the film Kitamura has remarked, “It is a film of two hands. On the one hand it is a gripping action/thriller, but on the other hand it is an intense, terrifying experience immediately grabbing the audience and sending them on a wild ride.” As he indicates, The Price We Pay is a perfect film for the midnight audience who are thirst for bloody horror.
导演:
罗德里戈·科尔特斯
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A group of actors perform in the heart of the Warsaw Ghetto, in a life or death context on a run-down stage.
导演:
阿姆贾德·阿勒·拉希德
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故事发生在约旦。丈夫突然去世后,30岁的纳瓦尔(Nawal)不得不为她的那份遗产而奋斗,来挽救她的女儿和她的家,而在这个社会中,有一个儿子才能顺利继承遗产。
导演:
Sebastian Radtke
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故事的主角生活中似乎只有唯一一个挑战:即折磨和杀死他身边的人。
17岁时,他已经杀过两次人。随后的许多年他一直克制着自己的欲望,过着与世无争的生活。但他生活中的空虚在渐渐地积聚着,直到有一天被再次点燃。
这次,残忍的杀戮已不再能令他满足,他对认同感的渴望,使他开始寻找追随者,并为他们举行所谓的“折磨课程”...
导演:
马里亚诺·巴罗索,Polo Menárguez
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ItfollowsOskar,whodreamsofsettingupagym.HeendsupenteringtheworldoftheCostadelSol,allduetotheFarads,afamilythatoffershimafuture,butwiththemostunexpectedoftrades:armstrafficking.
导演:
胡安·索拉纳斯
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这是一部由卢森堡、丹麦、加拿大、英国、美国、法国联合摄制的科幻爱情片。
在一个上下颠倒的双生世界,人们像生活在平行世界中一般各自生活工作,互不干涉。法律规定任何人不能和另一个世界的人沟通,更不能试图跨越到另一个世界去。活在“下界”的Adam(吉姆·斯特吉斯 Jim St urgess 饰)与生活于“上界”的Eden(克斯汀·邓斯特 Kirsten Dunst 饰)在年少时已在高山的山顶上结识并互有好感。可惜一次意外,令Eden失忆,从此忘记Adam;而Adam虽对她念念不忘,亦无法在山上再碰到她。直至多年后的某一天,Adam无意间从电视中见到Eden ,霎时唤醒了这份埋藏心底的感情!对Eden仍然痴心一片的Adam,决心凭借他的科学天份,闯入天梯,取得高科技仪器,冲破空间引力界限,誓要与Eden再谈一场逆转天地的恋爱!他们的距离虽然并不遥远,但他们的...
导演:
卓娅·阿赫塔尔
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在二十世纪六十年代的印度,阿奇和伙伴们面对爱情、友谊以及河谷镇的未来。与此同时,开发商威胁要摧毁一个备受大家喜爱的公园。
导演:
Nik,Amir,Mustapha
剧情:
Akil (KIL), a quiet and depressed young man sees suicide as an solution though he never succeeds in pulling it off. A chance encounter brings him face to face with the "Life Action Bureau" or LAB, an organization that will help him end his life. But after being bound to LAB's terms and conditions, he meets pretty and vivacious Zara with whom he eventually falls in love with and...
导演:
阿格涅丝卡·霍兰
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波蘭與白俄羅斯交界上的這片蓊鬱森林,大批中東與非洲難民湧入,敘利亞難民一家也在其中。他們以為只要步行通過邊界,進入歐洲,安全的日子就會到來。殊不知波蘭政府放任邊境警察用暴力驅趕難民,白俄軍方會再將他們逐回原地。成為白俄羅斯擾亂歐盟的人肉子彈,又被波蘭政府視為洪水猛獸,全家老小困在林中進退不得、飢寒交迫,陷入無間往復的煉獄。波蘭名導阿格涅斯卡霍蘭年逾七十,火力與行動力絲毫未減,把2021年真實事件搬上大銀幕。除了以匿名警衛證詞為本,更用史詩級篇幅,從邊境警察、救援人士、鄰近居民等不同視角,堆疊出的殘酷真相,凝成一記人心重擊。直指當局利用民眾仇外心理,罔顧難民人權,甚至加入最新國際事件比對,觀點犀利、力道強大,引來波蘭警政激烈反彈。影片於威尼斯影展首映後,不僅好評橫掃國際,更獲頒評審團特別獎。
导演:
艾德·弗列曼
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2012年政治惊悚剧《国家秘密》共4集,由Gabriel Byrne、Charles Dance及Gina McKee主演,缘于受到Chris Mullin的小说《一次地道的英国式政变》的启迪。本剧深入探究了民选政府、军方以及 大企业三者之间的关系。首集时长一小时,已于2012年11月7日周三在第4频道首次开播,其他三集将于接下来的每周三播出。 在大选期间,发生在Teesside地区的一场严重的工业事故造成多人死亡,从而引出了针对美国石化公司(PetroFex)安全规程的一些棘手问题。英国首相声称已经为受害者保证了赔偿金,但是在从PetroFex HQ返回的途中,他所乘班机在大西洋莫名坠毁。副首相Tom Dawkins(Gabriel Byrne饰)临危受命,他在为受害者寻找公义和真相的过程中,揭露了一场政治系统核心中的阴谋。
导演:
安东尼奥·卢基奇
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一对双胞胎兄弟听闻他们久未谋面的父亲在卢森堡抱恙,于是踏上了去见父亲最后一面的旅程。他们找到的男人会是他们记忆中的那个坏蛋父亲吗?
导演:
法兰提塞·维拉席
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InthetimeofCounter-Reformation,amillerandhissoncomeunderinvestigationbyapriestoftheInquisition,whenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil.TheDevil’sTrapisafilmdirectedbyFrantišekVlá?il,basedonanovelbyAlfrédTechnik,adaptedbyFrantišekA.DvorákandMilošKratochvíl.ItwasthefirstofthreehistoricaldramasthatVlá?ilmadeduringtheCzechNewWave(technicallyheisn’treallyapartoftheNewWave,howeverthesefilmsweremadeduringthesameeraofartisticfreedom),precedinghismorewellknownMarketaLazarová(1967)andValleyoftheBees(1968).Setinthelate16thCenturyduringtheCatholicReformation,intheMoravianKarst,situatedinwhatisnowtheEasternCzechRepublic,ittellsthetaleofamiller(VítezslavVejrazka),andhissonJan(VítOlmer),whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMacháchek),whenrumorsofwitchcraftarespreadbythelocalregent(CestmírRanda),whoisjealousofthemiller’sprosperityanddegreeofrespectamongthelocalpopulace.AsexpectedfromVlá?il,thisfilmisastunningexperienceallthewaythrough.Fromtheopeningshot,anominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizon,tothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcaverns,itisawonderfuldisplayofvisualmastery.MaybenotquiteasimpressiveasMarketaLazarová,butstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector’sremarkablesenseofawarenessofframing,motion,andpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller’sdoor.ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharacters,thanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurprise,andthereisastrongunderlying,almostsupernatural,mysteriousaspectthatisleftunresolved,infactbarelyexplored,whichisslightlydisappointing,butonlybecauseit’ssofascinatingthatIwishtherewasmore.Actingisgreatallaround.Particularlythevillains:MiroslavMacháchekasthepriest,castingasinisterandimposingshadowwhereverhegoes,andCestmírRandaastheweasellikeregentbehindallthepersecution.WhileVítOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller’ssonJan,inlovewiththelovelyorphangirlMartina(KarlaChadimová),whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage.ThefilmalsofeaturestheevocativemusicofZden?kLiška(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVlá?il,hiscompositionsareusedsparingly,buttogreateffect,complimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact.TheDevil’sTrapmightnotbeamasterpiece,butitisstillastrongeffort,withafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVlá?il’sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarováorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It’sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.
导演:
卡特琳·科西尼
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凯迪佳是一位40多岁的非洲裔女性,为一个富裕的巴黎家庭工作。夏天到来时,雇主提议让她前往科西嘉岛照顾孩子整个夏天。对于她和女儿杰西卡和法拉赫来说,这是一个难得的机会,可以回到15年前因悲惨事件而离开的那个岛屿。在这个夏天,两个少女沉浸在各种诱惑中:意外的相遇,冒险,还有初恋……
导演:
安娜希·贝妮
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ToElena,existenceisaneffort—notonlydoesshestruggleagainstherbodyaffectedbyParkinson’s,butherdaughterhasjustshownupdeadandonlyshefindsthesuicidehypothesisimplausible.Elenaisnotagoodvictim,anddoesn’tshowsignsofhavingbeenaselflessmother.Sheisvulnerable,butalsoovercomebyrageandsorrow,andthatstubbornnessseemstorenderherinvincible,againstallodds.Butinvestigatingthereasonsforherdaughter’sdeathsoonbecomesatripthroughmemory,and,aswe’veknownsincethetimeofGreektragedies,everyinvestigationis,deepdown,aninvestigationaboutoneself.ElenaKnowssubmergesusinthephysicalandmentalexperienceofitsprotagonistand,atthesametime,invitesustoaskourselvesuncomfortablequestionsaboutaging,thecomplexityofmother-daughterbondsandtheweightofthosemandateswomendragthesamewayElenadragsherfeet.源自:https://www.mardelplatafilmfest.com/38/en/pelicula/elena-sabe