Pål
搜索"Pål" ,找到 257部影视作品
导演:
SebastianGutierrez
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Pregnant porn star Elektra Luxx is trying to make a split from the adult film industry by making a living teaching sex classes to housewives. But her life is thrown into disarray when a flight attendant with ties to Elektra's past approaches her for a favor. Chaos and hilarity ensue as fiancees, private investigators, a twin sister, best selling authors and even the Virgin Mary force her to face up to an unexpected series of decisions and revelations.
导演:
伯特·肯尼迪
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Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.
导演:
RobertBenavidesJr.,AndyPalmer
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他的女朋友在野营旅行中消失得无影无踪,他很快从目击者到嫌疑犯.。现在,一年后,她回到了她被带走的地方,但不像以前那样.。
导演:
大卫·莫罗,XavierPalud
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家住洛杉矶的希妮·维尔斯(杰西卡·阿尔芭 Jessica Alba 饰)多才多艺,美丽聪慧,但是上天并未对她过多垂青。童年时发生的一场事故,导致希妮双目失明,从此只能生活在黑暗的世界里。在姐姐海伦(帕克·波西 Parker Posey 饰)的执意劝说下,希妮答应做角膜移植手术,她的世界重见光明。然而好景不长,在慢慢习惯了多彩世界后,希妮经常能够看到一些奇怪诡异的景象,而这些似乎又与死亡紧密联系在一起。在主治医师保罗·福克纳(亚历桑德罗·尼沃拉 Alessandro Nivola 饰)的帮助下,希妮开始踏上一段寻找真相的奇异旅程…… 本片翻拍自港版恐怖片《见鬼》,并荣获2008年青年选择奖最佳女主角奖(Jessica Alba)。
导演:
约阿希姆·提尔
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艾瑞克(伊斯潘·克劳曼·豪纳 Espen Klouman-Høiner 饰)和菲利普(安德斯·丹尼尔森·李 Anders Danielsen Lie 饰)是相识多年的好友,两人的友情十分牢固。成为作家是两人共同的梦想,他们为了这个梦想不断的努力着。菲利普的初稿一经寄出就在文化圈引起了轩然大波,转瞬间他成为了圈内炙手可热的红人,而艾瑞克的初稿却石沉大海无人问津。 事业有成的菲利普在爱情上也一帆风顺,他和女友凯丽(维克多莉娅·温格 Viktoria Winge 饰)相约前往巴黎度假。没过多久,人生的空虚便打倒了菲利普的意志,在如此轻易获得的成功面前,菲利普患上了抑郁症入院治疗。在治疗期间,艾瑞克一直不离不弃的陪伴在好友的身边,在照看和鼓励好友的同时,他亦没有忘记自己的梦想。
导演:
埃里克·普派
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谁都有过年少轻狂的时期,但杨(帕尔·斯维尔·瓦海姆·哈根 Pål Sverre Valheim Hagen 饰)在这段时期中却犯下了无法挽回的过错——他的过失导致了一名8岁男孩的死亡和一个家庭的破裂,为此,杨承担了八年的牢狱之灾。 八年时间匆匆流逝,杨早已长大成为了一个性格阴郁的青年人,由于在狱中展露出了过人的音乐天赋,出狱后,经由神父的介绍,杨成为了教堂里的钢琴师,很快,本性并不邪恶的杨得到了神父和其孩子的认可和喜爱。一次偶然中,一个名为埃金斯(崔娜·蒂虹 Trine Dyrholm 饰)的女教师带领着学生们来到杨所在的教堂参观,这个敏感的女人一下子就认出,那个弹钢琴的男子不是别人,正是当年害死自己孩子的凶手。
导演:
让-巴普蒂斯特·莱昂内蒂
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年轻人本(杰瑞米·艾文 Jeremy Irvine 饰)固守着世代经营的向导和搜救工作,为此只能与青梅竹马的女朋友莱娜两地相隔,独自留在蛮荒的旷野沙漠地带。某天,早已功成名就的商界人士约翰·麦迪克(迈克尔·道格拉斯 Michael Douglas 饰)开着美国仅此一辆的SUV来到小镇,他热爱狩猎,为了猎杀大角羊而整装完备。约翰坚信钱可以打通一切,因此花钱收买了警长和本,取得了猎杀大角羊的机会。苍茫旷野,杳无人烟,本引导着约翰走入炎热的矿业腹地。谁知情况急转直下,踌躇满志的约翰不小心射杀了一名当地人,这位善于衡量利益权重的男人为求自保,不惜将约翰拉入这个血腥的泥潭。 与世隔绝的死亡之地,两个男人展开了实力悬殊的较量……
导演:
Umberto,Lenzi
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1944年6月D日前德军占领下的法国诺曼底,盟军一支小分队奉命潜入敌占区,炸毁对盟军登陆威胁巨大的德军铁道巨炮
导演:
伯特·肯尼迪
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Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.
导演:
普万尼特·弗迪,查农·英永
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自从因为太胖抓不到抢匪而登上头条,“阿康”和他三个朋友就成了泰国警界的耻辱。这四个胖警察必须在三个月内甩掉肥肉,否则就会被惩处!当美丽的尊巴舞教练“小敏”加入之后,训练变得令人兴奋。然而,抢案持续发生,一台银行运钞车被抢后损失惨重,歹徒却没有留下任何线索。四位警探必须在塑身的同时侦查犯罪,减肥期限将近,但犯案之谜却仍未解开。这几个超大条的家伙,要如何保住他们的饭碗呢?
导演:
卡米洛·巴佐尼
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迈克·斯特吉斯和他的弟弟罗伊,被以捏造的火车抢劫罪判处押解到尤马监狱。两人都忍受着残酷的对待,然后迈克逃走了,报复他们的敌人。
导演:
陈凯歌
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爱丽丝(海瑟•格拉汉姆 Heather Graham 饰)和克劳斯(乌尔里奇•汤姆森 Ulrich Thomsen 饰)的婚姻关系名存实亡,一次偶然的机会,她邂逅了性格粗放的男子亚当(约瑟夫•费因斯 Joseph Fiennes 饰),两个人迅速堕入爱河,从性欲的满足到情感的依赖,她无法自拔。为此,爱丽丝终于跟丈夫摊牌,一直被蒙在鼓里的克劳斯暴跳如雷,两人于是离婚。后来,爱丽丝从闺蜜口中得知,克劳斯一直割舍不下自己,心中稍有悔意,但她还是发现了前夫跟闺蜜同居的事实,极为愤怒。爱丽丝答应了亚当的求婚请求。但对于他的火暴脾气,她还是心存芥蒂,幸好其姐狄波拉(娜塔莎• 麦克艾霍恩 Natascha McElhone 饰)帮忙安抚,爱丽丝才逐渐平静。在交流中,她从狄波拉那里看到了亚当雪山攀岩的照片,并意外发现了丈夫不可告人的秘密……
导演:
斯蒂芬·卓博斯基
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查理(罗根·勒曼 Logan Lerman 饰)是个害羞和孤独的高中新生,拥有超越年龄的敏感和泪腺,总是默默观察身边的家人和朋友,是个典型的「壁花少年」。他的青春期充满各种挫折,先后经历了阿姨为给他买生日礼物去世、最好朋友自杀、受同侪排挤欺负、单恋没有回应等各种事情。然而查理还不是最惨的,因为和他一样被生活逼入墙角罚站的人实在太多。他幸运的拥有一个开明的老师和两个高年级的好友:叛逆娇俏的少女珊(艾玛·沃森 Emma Watson 饰)和自信满满的同志男生帕特里克(埃兹拉·米勒 Ezra Miller 饰),他们让查理明白了有时候不能永远旁观,必须要参与进来才能拥有属于自己的精彩。 《壁花少年》改编自同名畅销原著,由作者史蒂芬·克伯斯基自编自导,《朱诺》原班监制倾力打造,集合90后一众人气偶像,在自杀、霸凌、性向、毒品等诸多敏感争议的话题中,书写一篇献给LOSER的励志日记。
导演:
伊兰·克里维
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凯西(尼古拉斯·霍尔特 Nicholas Hoult 饰)是一个无所事事整日里游手好闲的小贼,因为在美国前科太多,罪行累累,而最终决定逃往德国。在那里,凯西成为了大毒枭格兰(本·金斯利 Ben Kingsley 饰)的手下。虽然对于一个正常人来说,为毒枭卖命并不算是一份健康的工作,但对于过惯了颠沛流离生活的凯西来说,他感到很满足。 某日,凯西得知自己的恋人朱丽叶特(菲丽希缇·琼斯 Felicity Jones 饰)患上了重病,急需肾脏移植,为了筹得巨额的医疗费,凯西决定先将自己的安危放到一边,做一单大买卖。哪知道这一单大买卖令凯西被卷入了和德国最大的毒枭哈根(安东尼·霍普金斯 Anthony Hopkins 饰)的利益纠葛之中。
导演:
马修·瓦德皮
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这部由法国和塞内加尔联合制作的影片在法国和塞内加尔拍摄,讲述了1917年,Bakary Diallo为了与从军入伍、年仅17岁的儿子Thierno团聚,应征加入法国军队的故事。
两人被派往前线,一同参战。在上级军官的激励下,Thierno受命奔赴战场,希望超越自我,成为一个男人。而他的父亲Bakary则努力不惜一切代价阻止儿子前往战场,保他安然无虞。
导演:
斯蒂芬·范米尔
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曾经和平富饶的国度阿拉盖西亚,如今陷在邪恶国王(约翰·马尔科维奇 John Malkovich 饰)的暴政统治下,期待神灵解救敢怒不敢言的人民。一日,农家少年伊拉贡(艾德·斯皮尔斯 Ed Speleers 饰)在林中拾获一枚奇石,不想竟是一枚龙卵,孵出一只蓝色飞龙。伊拉贡为小龙取名“萨菲拉”,遇到先知布鲁姆(杰瑞米·艾恩斯 Jeremy Irons 饰)后,才明白这是一场怎样的机缘——曾经守护这片土地的龙骑士应该回来了,带领人民找回自由。在布鲁姆的指导下,伊拉贡开始学习剑术和驭龙技巧,慢慢从一个普通少年成长为担当重任的龙骑士,前路危险重重,前路通向光明…… 本片根据同名小说改编而成,是《遗传三部曲》中的第一部。
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J.C.,Calciano
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迈尔斯(杰克·特纳 Jack Turner 饰)和布罗迪(迈克尔·亚当·汉密尔顿 Michael Adam Hamilton 饰)是相识多年的好友,彼此之间友情十分坚实。迈尔斯一直都在等待着他的心上人出现,可是就连他自己都没有自信,这个人在哪里,会什么时候出现。相比迈尔斯的执着,布罗迪就要洒脱的多了,他不愿意荒废自己的美好年华,而是整日出入于声色犬马的场所之中,肆意的挥洒着荷尔蒙。 迈尔斯和布罗迪约定,如果十年之后两人依旧单身的话,就在一起凑合凑合共度余生。眼看着十年的期限就要到来,依然玩心不减的布罗迪开始担心起来。他疯狂的替迈尔斯“相亲”,希望他能在约定之日前找到对象。
导演:
维卡斯·巴尔
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从小到大,兰妮(康格娜·拉瑙特 Kangana Ranaut 饰)都过着大事小事皆由父母安排妥当的生活,虽然没有什么惊喜,却也没遇见过什么挫折,然而,命运在她婚礼的前一天开了一个恶意的玩笑,本该在第二天成为兰妮丈夫的那个男人居然后悔了。 伤心和愤怒之中,兰妮决定离开家人,只身前往法国,用一场说走就走的旅行安慰自己受伤的心灵。在巴黎,兰妮经历了许多的人生第一次,亦结识了许多热情奔放的朋友,渐渐的,她开始意识到,原来在家门之外,天地是如此的广阔。不知是偶然还是天意,在阿姆斯特丹,兰妮竟然偶遇了当初悔婚的前男友,对于自己莽撞的决定,前男友向兰妮表达了歉意与后悔,希望同她重修旧好。
导演:
Alvaro,Passeri
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五个年轻人巴比、麦克、小桃、朱丽和玛格趁着假期开着小船出海游玩,却因为大意而被搁浅在海上,屋漏偏逢连夜雨的他们又遇上暴风雨,在大雨倾盆的情况下,他们找到了一艘并没有人的豪华游艇,以为找到了桃花源,在里面饮酒作乐,没想到可怕的危险就隐藏在这座豪华游艇里。游艇好像是一个大的实验室,里面有奇奇怪怪的远古鱼类化石。巴比看到实验台上的白色粉末,尝了一下,以为是毒品。而后,玛格被会飞的鱼咬伤,他们才意识到问题的严重。麦克仔细研究了电脑里的资料,发现原来这些鱼都是吃了受污染的浮游生物后发生了异变。可此时已经为时已晚,除了麦克其余四人都被感染。游艇即将爆炸,这些怪物也即将被消灭,只有麦克跳海逃出。谁知怪物并没有死,麦克也没有逃生。
导演:
Edward,L.,Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.