Jea
搜索"Jea" ，找到 330部影视作品
导演：
克洛德·纽里德萨尼,玛丽·佩雷努
剧情：
A deserted pond. Two lonely children fall under the spell of this wild place that, little by little, draws them closer to each other and gives them the strength to cope with life. Seen through their eyes, and through their imaginations, the pond becomes a secret kingdom, both marvellous and frightening, thronging with creatures born from dreams or nightmares. The children experience an initiation, brief and intense, from which they will emerge transformed.
导演：
安托尼·鲁斯巴克
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法国新导演安托万·胡斯巴克的新片，是他的社会阶段三部曲第一部，讲一位失业中年大叔，找不到工作一步步抑郁到想自杀的故事，丧到触底。剧本和整体的叙事节奏很出色，像剧作和主题层面上史蒂芬·布塞和达内兄弟的混合体。
导演：
让-吕克·戈达尔
剧情：
Divided into three kingdoms -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times. 頑皮老頭高達在新作挑釁如常，堅持如舊，對電影愛情如一，但從形式到內容，卻續有新境。比前作《愛之頌》更練達更擊中要害，是他近年最激的反思作品。三段結構的開篇〈地獄〉，戰地實錄與荷里活戰爭片交替，寓意彰甚：人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人，真實與虛構人物（包括高達自己）到此舉行文化圓桌會議，大家在寬恕迷宮中兜轉，唯有佇立已修復的莫斯塔古橋，才感一絲希望。高達最後領我們到〈天堂〉，人間竟有春色如許？但-有美軍駐守！全片最動人一幕：學生問 DV 可否打救電影？高達哀哀面向鏡頭，良久不語......
导演：
Adam,Lipsius
剧情：
A scientist builds a massive ark after his warnings of an Earth-destroying flood are ignored. But when it's evident the disaster will occur, those who maligned the scientist now turn to him in desperation, boarding the ark and seeking his answers before the world drowns in a never ending sea.
导演：
罗伯特·布列松
剧情：
影片以日记的形式呈现。无所事事的年轻人米歇尔（马丁·拉萨尔 Martin LaSalle 饰）在赛马场目睹了一个小偷偷窃的全过程，他被小偷那自信优雅的手法所吸引遂即加入了偷窃的勾当。爱读书，坚持虚无主义哲学思想的米歇尔坚信偷窃是一种手指的芭蕾，一场完美的行窃就像一场精彩的行为艺术。米歇尔有一个久违的病重的母亲，在去探望的时候结识了一直照顾他母亲的邻居珍妮（玛莉卡·格林 Marika Green 饰），漂亮的珍妮唤醒了米歇尔心中沉睡已久的感情。米歇尔被警察盯住了，警长虽然三番五次的给了他改过自新的机会，但米歇尔依旧沉迷于他的“艺术”中无法自拔，很快，米歇尔被捕了。 珍妮来狱中探望米歇尔，她向他袒露了自己的真情，米歇尔在泪水中猛然醒悟，当生命中还有所爱的人存在，生活就不会是一片虚无。
导演：
伊维斯·西蒙尼奥
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故事发生在1795年的法国，下级军官拿破仑（克里斯汀·克拉维尔 Christian Clavier 饰）遇见了美丽的约瑟芬（伊莎贝拉·罗西里尼 Isabella Rossellini 饰），一见钟情的两人很快就走到了一起。之后，拿破仑在战争中的出色表现和人民对他的拥戴引起了巴黎政府的不满，上司将拿破仑派往了遥远而又危险的埃及。 远在埃及的拿破仑得知国家的安全正受到反法联盟的威胁之时果断回国发动政变，最终成功的成为了首席执行官。然而到了1807年，在沙皇的支持和怂恿下，奥地利出兵法国，为了维系政权的稳固，拿破仑不得不同奥地利公主和亲，然而一切已经为时已晚，与此同时，悲伤的约瑟芬亦离开了拿破仑。
导演：
伊维斯·西蒙尼奥
主演：
剧情：
故事发生在1795年的法国，下级军官拿破仑（克里斯汀·克拉维尔 Christian Clavier 饰）遇见了美丽的约瑟芬（伊莎贝拉·罗西里尼 Isabella Rossellini 饰），一见钟情的两人很快就走到了一起。之后，拿破仑在战争中的出色表现和人民对他的拥戴引起了巴黎政府的不满，上司将拿破仑派往了遥远而又危险的埃及。 远在埃及的拿破仑得知国家的安全正受到反法联盟的威胁之时果断回国发动政变，最终成功的成为了首席执行官。然而到了1807年，在沙皇的支持和怂恿下，奥地利出兵法国，为了维系政权的稳固，拿破仑不得不同奥地利公主和亲，然而一切已经为时已晚，与此同时，悲伤的约瑟芬亦离开了拿破仑。
导演：
斯戴芬·卢佐维茨基
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Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democra
导演：
沃伦·莱特
剧情：
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
导演：
凯文·史密斯
剧情：
美国的小众独立电影，讲述了便士多店小店员但丁（布莱恩·奥哈罗兰 Brian O'Halloran 饰）郁闷抓狂的一天。过了睡眠质量极差的一晚后，但丁大清早被老板叫去加班。这只是倒霉的一天的起始，接下来，还有更多麻烦事情接踵而至，开店门、喷标语、遇见唠叨的反吸烟人士阻挠店面生意。一个头两个大的但丁，还要和前来店铺的女朋友维罗尼卡（玛丽莲·吉格洛尔蒂 Marilyn Ghigliotti饰）交流性生活经验。结果落得个不欢而散，因为女朋友拥有过的性伴侣数目实在令但丁叹为观止。
麻烦事还是一桩接一桩，这时前女友的到来令但丁的心狠狠振作了一下。他的艳遇到了，似乎终于可以扫走霉运。可是，卫生间内的“奇遇”，又摧毁了这件美好的事情。
导演：
让-马里·普瓦雷
主演：
剧情：
本片描述了由让．雷诺和克里斯蒂昂．克拉维埃饰演的戈德弗鲁瓦骑士和他的侍从拉弗里普伊两人因巫师的失误由公元1122年被抛送到现代。他们被电话、汽车、洗澡间等等现代化的设施弄得惊讶不已，从而演出一系列笑话。导演让－马力．普瓦雷善于突出并发挥演员的作用，注重对诙谐文字、滑稽剧和高卢幽默的兼收并蓄。本片“玩的是长达千年的“时间差，充分利用了张冠李戴和过时的习俗，围绕中世纪来客面对现代电子世界的丑恶遭遇产生的惊讶来做文章。它完美地运用了大量特技效果，故成一部滑稽惊险喜剧
导演：
罗伯特·布列松
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剧情：
年轻的画家雅克从乡间搭车前往巴黎。在到达巴黎的那个夜晚，他偶遇了正想投河自杀的玛尔特。雅克救下了她，并陪她回家，他们相约转天晚上再见面。第二个夜晚，雅克和玛尔特交换了彼此的人生故事，在玛尔特的请求下，雅克成了玛尔特和她情人间的信使。然而，那位绝情的情人并没回信，这让玛尔特非常失落。在接下来的两个夜晚，雅克对玛尔特的衷情终于得到回应，玛尔特也向雅克倾诉了爱意。第四个夜晚，正当两人挽手同行时，他们偶遇了玛尔特原来的情人…… 本片改编自费奥多尔·陀思妥耶夫斯基的短篇小说《白夜》。
导演：
特伦斯·戴维斯
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In sepia tones, the film moves back and forth among three periods in Robert Tucker's life he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..
导演：
劳尔·鲁伊斯
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关于故事的故事，一切要从这年青学生的怪遭遇讲起。 他刚杀了人，双手血仍未冷，第一件要做的事，却是到附近的舞场，聆听这醉酒水手的传奇一生。不记得多少年前，水手从自己的家乡启程，搭上一艘由幽灵驾驶的远航船。鬼船的诅咒是：他是唯一一个船上的生灵。鬼船在拉丁美洲各个港口漂荡，水手随船到处经历，在船上、妓院、码头间度过比神话更匪夷所思的历险。 这许多魔幻经历，满有波赫士小说的魔幻神采，而以别创一格的视觉及美术效果呈现，反映出拉乌尔 鲁兹(Raoul Ruiz)对超现实、表现主义影像的驾驭，可谓惊世骇俗。
导演：
让·雷诺阿
剧情：
亨利（让·迦本 Jean Gabin 饰）经营着一家夜总会，进行一些下流艳俗的表演，擅长跳肚皮舞的劳拉（玛丽亚·费力克斯 María Félix 饰）是台柱一般的存在。不景气的经济和亨利的不善经营很快就让夜总会来到了濒临破产的边缘，就在这个节骨眼上，亨利认识了平凡的洗衣女工妮妮（弗朗索瓦·阿努尔 Françoise Arnoul 饰），在妮妮的身上，亨利看到了过人的天赋，并且开创了“康康舞”这一前所未有的舞蹈形式。凭借着康康舞，亨利的夜总会再度红火了起来，然而劳拉和妮妮之间日积月累的矛盾却在开业的那一天彻底爆发。之后，一位亲王爱上了妮妮，打算给夜总会投资，可眼红的劳拉却破坏了这桩生意。
导演：
路易·德吕克
剧情：
Like his fiery study of a popular milieu in Fièvre, Louis Delluc's early masterpiece of impressionist cinema, La Femme de Nulle Part, is almost impossible to see outside of rare archival projections in Paris. Shot in natural settings, and stripped of all that is not cinema, Delluc's psychological drama featuring symbolist muse Eve Francis is an experiment in 'direct style.' A fascinating study in the relationship between past and present, memory, dream and reality, this revolutionary film would be a source of inspiration for successive filmmakers, from Francois Truffaut to Alain Resnais.
导演：
Bobby Jean Leonard
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才能出众的科学家史崔贝博士研究出一种新型杀伤力极强的瓦斯剂，却因此遭到生性残暴的不法之徒葛洛克之威迫，并且绑架史崔贝之心爱的女儿丽莎，威胁史崔贝将该危险武器研发成功。乔凯斯这位黑带三段的夫夫高手，为了维护正义，偕同少年忍者海洛一起深入虎内涉险搭救丽莎，破坏毒瓦斯计划，一场生死存已之浩劫终能幸免吗
导演：
Bobby Jean Leonard
主演：
剧情：
才能出众的科学家史崔贝博士研究出一种新型杀伤力极强的瓦斯剂，却因此遭到生性残暴的不法之徒葛洛克之威迫，并且绑架史崔贝之心爱的女儿丽莎，威胁史崔贝将该危险武器研发成功。乔凯斯这位黑带三段的夫夫高手，为了维护正义，偕同少年忍者海洛一起深入虎内涉险搭救丽莎，破坏毒瓦斯计划，一场生死存已之浩劫终能幸免吗
导演：
路易吉·巴佐尼,佛朗哥·罗西里尼
剧情：
The famous writer Bernard travels to a small town nearby a lake to spend vacation out of season in the winter. He check in an old hotel owned by Enrico and his daughter Irma expecting to meet the maid Tilde, from whom he had a crush last time he visited the town. However, he discovers that Tilde has committed suicide and when he meets the local photographer, Bernard learns that she was pregnant. He becomes obsessed to find whether she really committed suicide and to guess what really happened. When Enrico's son Mario and his wife Adriana arrive at the hotel, Bernard has daydreams about the fate of Tilde.