IV
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导演：
Steven R. Monroe
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连日的干旱无雨令美国西北沿岸陷入了困境之中，戴蒙博士（AlexZahara饰）随即展开了“祈雨者计划”，将大量液氮通过数千架无人机投入大气层之中，希望能够通过此举人工降雨。然而，让戴蒙没有想到的是，从云层之中降下的并不是雨，而是尖锐又硕大的冰雹，一时间，气温骤降，大地陷入冰封之中，人类流离失所，失去了赖以生存的家园。乔安（CamilleSullivan饰）身为负责人，对眼前的情况手足无措，一次偶然中，他发现了一本由查理（马克·摩斯MarkMoses饰）撰写的科幻小说，书中所描述的末日景象，竟然与此时的情况一模一样，在查理的小说中究竟隐藏了怎样的秘密？这能否成为拯救地球的唯一一根稻草？
导演：
吕克·贝松
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一头红发，perfect的“第五元素”莉露(MillaJovovich饰)受命来到地球，她要协助人类与每隔五千年降临一次的邪恶力量对抗，联合风、火、水、土四块神石击退敌人。在实验室被复制出来后，言语不通的莉露在躲避人类的追捕中搭上了退役特工科本（BruceWillis饰）的出租车。科本带莉露找到了负责接头的神父，两人也渐渐的产生了好感。莉露与科本一同前往一个叫“失落天堂”的星球找寻另外四种元素的神石。但是，在战斗中莉露受伤昏迷，而且由于人类的暴行和无知杀戮，莉露陷入了内心的迷惘。大敌当前，科本究竟用什么力量才能唤醒莉露呢？
导演：
恩基·比拉
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故事发生在遥远的2095年，天空中出现了神秘的金字塔，金字塔中所禁锢的，正是鹰头人身的太阳神荷若丝（ThomasM.Pollard饰），为了延长自己的寿命和法力，荷若丝逃出了重重禁锢，决定在凡间找一对男女生育自己的后代，被冰冻的太空人尼科波尔（托马斯·克莱舒曼ThomasKretschmann饰）不幸成为了他的目标，最终，荷若丝成功的附在了尼科波尔的身体里。吉尔（BarbaraScaff饰）拥有着能够流出蓝色泪水的特异功能，对于自己的与众不同，吉尔感到十分困惑和无奈，更糟糕的是，天赋异禀的吉尔沦为了大型医药企业的人体试验对象，这样一位可怜的女子，成为了荷若丝的目标，命运的齿轮就此开始转动。
导演：
雷德利·斯科特
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本片是《沉默的羔羊》十周年纪念日推出的续集，这一集故事仍然改编自作家托马斯哈里斯的小说。从高度戒备的医院逃脱的汉尼拔（安东尼·霍普金斯AnthonyHopkins饰）恶习难改，继续寻找他的“猎物”，不料成了曾在自己刀下侥幸活命的梅森（加里·奥德曼GaryOldman饰）的猎杀对象。梅森是一个罪大恶极的恋童癖，曾经强暴过自己的亲妹妹，年轻的时候逃狱，并且接受过人魔汉尼拔·莱克特的心理治疗，但汉尼拔·莱克特却害他半身瘫痪并且严重毁容，现在必须靠人工呼吸器维生。但是他拥有庞大的财产，并且不断收集各种不同的儿童，希望能把汉尼拔引出来，进行恐怖的报复行动。无奈之下汉尼拔求助于克莱丽斯探员（朱丽安·摩尔JulianneMoore饰）。两大恶魔对决，到底谁胜谁败？
导演：
邹凯光
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地产富豪之子马超仁（陶大宇）不想依附豪门，到寿司店当学徒。仁遇上情场杀手高级（陈百祥）、狄立（林晓峰）及毛仔（葛民辉），看中了竞选特区小姐的阿菲、Money、苏娜与Fancy，而一班公子哥儿亦对四美起心。四人为夺美人归，使出混身解数，一场追女大战由此展开……
导演：
邹凯光
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地产富豪之子马超仁（陶大宇）不想依附豪门，到寿司店当学徒。仁遇上情场杀手高级（陈百祥）、狄立（林晓峰）及毛仔（葛民辉），看中了竞选特区小姐的阿菲、Money、苏娜与Fancy，而一班公子哥儿亦对四美起心。四人为夺美人归，使出混身解数，一场追女大战由此展开……
导演：
内详
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Aclassicwhodunitmystery,asthecharactersgoabouttheirlivesin1920sItaly,whenBenitoMussolini’sbrandoffascismwasontherise.Setinthe1920sontheItalianRiviera,theseriesstarsNataschaMcElhone(Ronin,Californication,Halo)asBellaAinsworth,thedaughterofawealthyindustrialistwhomovestoItalytosetupaquintessentiallyBritishhotelinthebreathtakinglybeautifultownofPortofino.MarkUmbers(HomeFires,Mistresses,Collateral)playsBella’scharmingbutdangerousaristocratichusband,Cecil,andAnnaChancellor(FourWeddingsandaFuneral,TheHour,Mapp&Lucia)costarsasLadyLatchmere,thehotel’smostinfluentialandhard-to-pleaseguest.
导演：
Oskar Santos
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影片的主人公泽皮（Zipi ）和扎佩（Zape）来自西班牙广为人知的漫画，就像法国的“小淘气尼古拉”和英国的“哈利波特”，他们的名字合在一起是西班牙语中“混乱”的意思。他们于1947年在漫画家José Escobar Saliente的笔下被创造。泽皮和扎佩是一对双胞胎，喜欢冒险，每每总能以机智化险为夷。他们在学校里专司调皮捣蛋。他们都是狂热的足球迷。两个人最大的区别是一个黑发，一个金发。
导演：
Todd Wilson,Robin Feinberg
剧情：
Okay,ifyouarelookingforslickHollywoodproductionvalues,skipthisone.Butthefilmdoeshavesweetness,charm&sincerity.Theactingandwritingareunevenatbest,butIthoughtJamesMarksastheboarderRobertwascharming&sexy.Yes,"TheWeddingBanquet"isasuperiorfilmthatcoversmuchofthesameterritory.But"UnderOneRoof"hasitshonestpleasuresaswell.
导演：
路易·马勒
剧情：
二战末期，德国的反犹政策还在坚定不移地推行着。来自马赛的犹太孩子波奈特（拉法艾丽·弗托RaphaelFejtö饰）因此家破人亡，被送到法国的学校念书。在这里，他一直小心翼翼的保守着他的秘密，但还是因为新生的关系常常遭到同学戏弄。其中就有法国有钱家庭出身的朱利安（加斯帕尔·马奈斯GaspardManesse饰）。朱利安和波奈特成为了室友，在共同相处的日子里，朱利安发现，这个经常被欺负的男孩有着跟自己志趣相投的一面。两人的关系渐渐融洽，成了童年要好的伙伴。当朱利安从种种迹象猜测出波奈特的犹太人背景时，他没有疏远波奈特，而且还帮忙隐藏这个秘密。也许在孩子的心中，政治世界在真挚的友谊面前显得太过渺小。然而，大人的魔掌还是侵入了波奈特的人生，保护犹太孩子的神父和波奈特都被出卖了……
导演：
西里斯科什·慕克吉
剧情：
喜剧，讲一个男人通过装假胡子装扮成兄弟两个人，周旋于女友和未来岳父之间，因为岳父喜欢有胡子的人，认为有胡子的人成熟稳重。RamprasadDashrathprasadSharma(AmolPalekar)islookingforabetterpayingjob.HeandhissisterRatna(ManjuSingh)havenorelativesoracquaintancesexceptDr.Kedar(David).Dr.KedartellshimaboutBhavaniShankar’s(UtpalDutt)firmknownasUrmilaTraders.Shankarisaweirdman.Heisamanoftraditionalvalues,hencehenaturallyhatesyouthwearingmodernclothes.Heisasportsfan,butthinkslowlyofyouthknowinganythingaboutsports.Buthismostweirdtraitishatredtowardsmenwithoutmoustaches.Hethinksthatmenwithoutmoustachesarecharacterless.Ramprasadhasamoustache.Hetakescareofotherproblemsbywearingkurta&feigningignoranceaboutsports.Bhavanihireshimimmediately.Ramisahardworkingguy,soBhavani(&Ram)havenoproblems.However,Ramoncetakesleavebypretendingthathismother(whodiedmanyyearsago)hastakenill,andgoestowatchahockeymatch.BhavaniShankar,whoalsoattendedthematch,seeshimthere.ThenextdayBhavanisummonsRamprasadtohisofficeandaskshimabouttheHockeymatch.Rememberingtheplotofamovieafriendofhisisshooting,RamconvincesBhavaniShankarthathehadseenhis"moustache-less"identicaltwinLucky(aliasLakshmanprasadDashrathprasadSharma)atthestadium.BhavaniShankarbuyshisargument&feelsbadaboutaccusinghimanddecidestomakeamendsbyhiringLuckytoteachhisdaughterUrmila(BindiyaGoswami)music.RamprasadreluctantlyshaveshismoustachetobecomeLuckyandstartstoteachmusictoUrmila.HeishelpedbyhisactorfriendDevenVerma(playinghimself).NowUrmilaakaUrmiistheexactoppositeofherfather.ShetakesimmediatelikingtoLucky,whileRamisbarelynoticedbyher.Bhavaninoticesthis&givesRamanotherjobtotutoronthepretextofherexams.Meanwhile,Mrs.Srivastav(DinaPathak),asocialite,isropedtoplaythepartofRam,"Lakshman"&Ratna’smother.LikeRam,shealsoendsupplayingherowntwininfrontofBhavani.RamdecidestotellUrmilathetruth.UrmilatellshimtotellthetruthtoBhavaniaswell.RamgoestoBhavanitotellthetruth,butBhavaniseesRam’smoustachegivingaway.BhavaniexposesRam,butendsupthinkingthatLuckymurderedRam&impersonatedhimtomarryUrmila.Inahilariouschasethatfollows,Bhavaniendsuptotallingapolicejeep.TheSeniorInspector(OmPrakash)mistakeshimforathugnamedPascalD’Costa&isabouttolockhimupinthejail.OnlywhenhisInspectoridentifiesBhavaniShankarbyhisrealidentityishefreed.Bynow,aharriedBhavanihasdevelopedhatredfortwinaswell.Oncominghome,hefindsthatUrmila&Luckyaremarried.Herefusestogivethemblessings,untilDr.Kedarcomestothescene&explainsthewholesituation.Now,Bhavanibecomesevenmorefurious,butoneverybody’sinsistence,relents.ThefilmendswithafamilyphotoofMrs.Srivastav,Ratna,Urmila,Ram,Dr.Kedar,Bhavani’ssisterKalindi(ShubhaKhote)&Bhavani(whoisshownwithoutmoustache).
导演：
Olympe de G.
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碧姬·莱尔以65岁高龄出演69岁的女主角莎乐美，想以高潮的方式结束最后一次性爱，以伪纪录片的形式，与导演桑德拉寻找最后一次性爱的陌生人，在对话中探讨变老的种种，在寻求最后一次性爱的过程中发生了些变化，她的最后一次也会是第一次，就像每一次结束都是新的开始。
导演：
基兰·饶
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It's a jolly mess when two young brides get lost from a train. Set in 2001, somewhere in rural India.
导演：
夸克斯
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After realising he has died at the scene of a car crash, Nathan descends into the depths of hell, where he is doomed to experience the pain of tortured souls along the way.
导演：
玛利亚·卡夫塔拉德泽
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《热恋慢慢来》（Slow）探讨鲜少被关注的无性恋者世界，在一场听障学生的舞蹈课，豪放的现代舞者艾莲娜对手语翻译员多维达斯一见钟情，对方却是位无性恋者，两人互动将激发观众对欲望的全新理解。
导演：
约瑟夫·罗西
剧情：
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
导演：
奥利维埃·纳卡什,埃里克·托莱达诺
剧情：
Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by bee...
