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搜索"l" ，找到 17940部影视作品
导演：
朱尔斯·达辛
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哈瑞（理查德·威德马克 Richard Widmark 饰）是一名卑微的皮条客，然而，他从来都没有满足于现状过，而是不断地想找到能够发家致富的门道。一次偶然中，哈瑞结识了名叫乔治（Stanislaus Zbyszko 饰）的摔跤运动员，两人一拍即合，决定组织一场摔跤比赛以谋取暴利。 哈瑞找来了当红摔跤手史瑞乐（Mike Mazurki 饰）对阵乔治的手下尼古拉斯（Ken Richmond 饰），一时间，这场巅峰对决成为了当地人人乐道的传奇。哈瑞的高调惹恼了垄断当地摔跤比赛收益的黑帮，除此之外，乔治的儿子也对哈瑞表示了强烈的不满，与此同时，酒吧老板菲力（Francis L. Sullivan 饰）亦想借此机会除掉这个和自己老婆海伦（乔姬·韦瑟斯 Googie Withers 饰）有一腿的无赖。一场意外的发生让乔治不幸去世，也让哈瑞惹上了杀身之祸。
导演：
维克特·加西亚
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Spain,late1980s.NewcomerSaratriestofitinwiththeotherteensinthistight-knitsmalltownintheprovinceofTarrgona.Ifonlysheweremorelikeherextrovertedbestfriend,Rebe.Theygooutonenightatanightclub,onthewayhome,theycomeuponalittlegirlholdingadoll,dressedforherfirstcommunion.Andthat’swhenthenightmarebegins.
导演：
格雷格·毕曼
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TNT宣布续订《陨落星辰》（Falling Skies）第四季，订数仍然为10集。该剧第三季平均观众人数（Live+7）为580万。在第四季中，Tom Mason和他领导的第二独立团决心一劳永逸地击败入侵地球的外星人，夺回属于人类的家园。《陨落星辰》开篇呈现给观众的是一 幕外星人袭击后地球几乎毁灭的景象。在外星人首次入侵6个月后，少数幸存者聚集到大城市的外围，打算进行一场艰苦的反击战。然而对他们来说，每天都是挑战，作为城市的守护者，他们需要不断地反抗外星人的侵略并保护那些难民们。 本剧的男主人公名叫汤姆?梅森（Noah Wyle饰），是波士顿一名历史学教授。外星人入侵使得他家破人亡。初袭时，他的妻子被杀害，三个儿子中有一个也被俘虏。
导演：
Bruno,Mattei,Claudio,Fragasso
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在新几那亚有一个岛上，因为化学工厂实验的关係，造成厂内死老鼠复活，并在咬伤工作人员后，造成该实验大楼变成僵尸横行。4个SWAT队员，集体到新几内亚调查案发经过，到一个小镇后，碰到一群採访事故原因的记者，结果他们当中，有一个小孩被殭尸咬了一口，小孩在车上躺在他父亲怀裡休息时，有人开车门发现，小孩已变成僵尸，正在吃他父亲内臟；在教堂内，也发现神父已变僵尸；他们到达当地土著部落时，也发生僵尸吃土著的事件。经过一连串的逃命后，最后他们来到那栋实验大楼，终于发现是实验事故毒气外洩结果导造成僵尸，最后当然是包括男女主角在内都未能倖免于难。 本片导演Bruno Mattei在幕后花絮中说，本片参杂了《Dawn of the Dead》的一些影子，比方殭尸出现时总是一大群，还有要打头才会死。场景主要是在丛林与部落跟工厂。本片中一开头即说明造成殭尸的原因。另外本片虽然场景是在新几内亚，但一看就知道部份是合成的。应该是在欧洲拍摄的。还有这位导演原来还导了Rats(1984)以及参与Zombi3约40%的制作。本片血腥度十足，虽然现在看起来会觉得有点假，但在现在看时还是会觉得十分过癮。喜欢殭尸片又带点腥膻色的人，可以考虑一看。 ======================================================== 一场意外发生于位在新几内亚丛林裡的一座化学工厂，外洩的化学毒物导致死尸复活，复活的死尸群起攻击丛林裡的原始部落居民。一组记者巧遇另一组武装特勤部队，两队人马在丛林中与遭遇部落民族，并于设法于僵尸群中逃出生路。 超恶搞的片子，列举数个恶搞例子： 制作群不知从何搞来近似国家地理频道纪录片片段，新几内亚丛林裡的野生动物与原始部落生活就这麼活生生又突兀地剪辑入这部殭尸电影。一群特勤人员其实只是开著吉普车在西班牙乡间小径游荡，只因剪接许多野生动物纪录片入戏，感觉好像身处新几内亚丛林。不过，其实剪接得挺粗糙地。 整组人马路过一丛林部落，女主角一脸正经得跳出来说：”部落民族生性危险而不可测，姐姐有经验，要安全通过只有一个方法，我必须走在前面，单独地在前面…”。接著，冷不防，他就毫不迟疑的脱下上衣，露出美丽双峰。又接著，看到姐姐脸画成土著迷彩，只穿著树叶比基尼，又走又跳地引领整组人马通过部落。从没看过如此彻底的为脱而脱，真是够无厘头。 某特勤队员在一丛林小屋中穿起芭雷舞衣，跳了一段模仿Gene Kelly的Singing in the Rain，接著旋即变成殭尸攻击的受害者。 号称是史上大滥片之一。完成拍摄只费时5週。 其实： 是不错看的电影，该有的殭尸电影元素全具备，举凡：殭尸小孩啃老爸，殭尸群分食受害人，受害伙伴回生加害同行伙伴，欲消灭殭尸必击毁头部…等等，一应俱全。 最血腥的一段昰： 女主角受害时，特写全在脸上，舌头先被殭尸群拔出，接著手在嘴裡往上猛掏，掏得两颗眼珠爆出，够血腥。 后记： 名人导演Quentin Tarantino 在某处发表欣赏此片的谈话，重新引发世人对此陈年旧片的注意。而此片导演Bruno Mattei，自己承认已有多年未再看过这电影，只得重新翻出片子再次恢复记忆，才能体会为何昆汀塔伦提诺会喜爱此片。 此片导演Bruno Mattei的另一名作是1984年的《Rats Night of Terror》。
导演：
史蒂芬·考格内提
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在一次万圣节鬼屋之旅的五个晚上，一场莫名其妙的故障导致15名游客和工作人员死亡，一位纪录片摄制组又回到悲剧现场，去发现究竟发生了什么。
导演：
艾迪·沃克,Michael Hurst
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讲述当14岁的英国女孩IssieBrown搬到新西兰农村KauriPoint，这个地方不是一个普通的农业城镇，这里正在发生奇怪的事情。一匹骏马，还有只有女孩自己能看见的神秘灵马，随着女孩和新认识的小伙伴深入调查，事情变得越来越奇怪......
导演：
西浦正記,宮脇亮
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年销售额超过160亿日元的服装品牌TATSUKO YANO（TY）在矢野龙子（夏木玛丽 饰）的率领下已经走过35个年头，然而口碑在外却也难以阻止日薄西山的颓势。在此危急关头，曾经成功拯救过三个品牌的创意总监广木利佳（木村佳乃 饰）强势入主TY，以其全新的理念在该品牌内部刮起一场革新风暴。与此同时，在《First Class》等时尚杂志饱经历练的吉成千奈美（泽尻英龙华 饰）以新人设计师的身份加入TY。当然这里的mountaining的明争暗斗依旧存在，内有瑞美绘（菜菜绪 饰）的姐姐川岛奈美绘（シシド・カフカ 饰）和笑里藏刀的多武峰凪子（友坂理惠 饰）两名设计师的夹击与暗算，外有NGO金融集团CEO泷川兰子（余贵美子 饰）时刻图谋吞并TY。
千奈美能否再从各方势力的缠斗中杀出血路呢？
导演：
西德·麦卡特尼
剧情：
WithseriestenduetolaunchonSunday18Aprilat8pmandseries11abouttocommencefilming,CallTheMidwifewillnowbeonairuntil2024.Series12and13,commissionedbyPiersWenger,DirectorofBBCDramaandCharlotteMoore,ChiefContentOfficer,willconsistoftwo8x60’seriesandtwoChristmasspecials.
导演：
Robert,Conway
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圣诞前夕，11岁女孩佐伊·韦弗（艾米丽·亚哈伯曼 Amelia·Haberman饰）刻薄的养父母在自家双双被害，身体自燃烧成了焦炭，怪异案情让警方束手无策。为查找线索，协助警方办案同样身为养母的儿童心理学家瑞秋·斯图尔特（莫妮卡·恩格塞尔 Monica Engesser饰）和正受困于婚姻危机的警探迈尔斯·奥康纳（詹姆斯·雷 James Ray饰）探访了暂时安身儿科医院的佐伊。在不断接触和调查中，瑞秋发现佐伊不仅古怪、阴郁以恐怖玩偶“圣诞恶魔krampus”作伴，还有不为人知的可怕过去。 随着自燃案件陆续发生，瑞秋意识到似乎一切都与女孩和她的玩偶有关，清算才刚刚开始······
导演：
Charles,F.,Haas
剧情：
斯坦·赫斯（Ray Danton）平日伪装成垮掉派成员，实际却是个连环强奸犯，他对女人恨之入骨，通过强奸的方法来报复女性，每次作案后他都会留下一小盒阿司匹林，因此被称为阿司匹林小子。戴维·卡洛兰警司（Steve Cochran）负责调查阿司匹林小子一案，然而他也有厌女倾向，他认为很多强奸案的受害者并非是真正的受害者，而是主动勾引对方的荡妇，同时因为曾被第一任妻子出过轨，他总是对自己的现任妻子疑神疑鬼，动不动就像审讯犯人一样盘问她。令他出乎意料的是，他的妻子弗兰丝（Fay Spain）居然也成了阿司匹林小子的受害者，并且不幸怀了孕，他和妻子的关系因此而僵到极点，同时他下定决心要抓到阿司匹林小子。阿蒂·贾斯特（James Mitchum）是斯坦·赫斯的帮凶，斯坦为了创造出两个阿司匹林小子来迷惑警察，派贾斯特去强奸乔治亚·阿尔特拉（Mamie Van Doren），然而中途却横生枝节，同时也让警方找到了可以破案的线索。
导演：
拉尔夫·S·辛格尔顿
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故事发生在一间坐落在坟场旁边的纺织厂里，霍尔（大卫·安德鲁斯 David Andrews 饰）是一名流浪汉，流落到小镇上的他应征进入了纺织厂上夜班，虽然有了一份收入，但霍尔工作的非常不愉快，他不仅常常遭受工友们的欺负，还和工头沃里克（史蒂芬·马赫特 Stephen Macht 饰）之间有着不小的摩擦。 纺织厂决定清理工厂内部很久不用的地下室，霍尔加入了清洁小组，和霍尔一起的，还有一个名叫简（Kelly Wolf 饰）的姑娘。地下室里不仅废物堆积如山，而且老鼠横行，一行人好不容易清理出了一片空地，才发现地下室里竟然还有一个活动门。霍尔决定进活动门里面探究一番，没想到小组被悉数困住无法脱身。
导演：
铃木浩介
剧情：
本作は娘を殺された刑事・倉澤樹と猟奇的殺人犯・貴志ルオトが繰り広げる死闘を描くクライムサスペンス。倉澤は元小学校教諭の刑事で、かわいがっていた教え子・ルオトに娘を惨殺された過去を持つ。被害者遺族として絶望を味わい、その経験から生まれた“自分と同じように苦しむ人を1人でも多く救いたい”という思いから刑事へ転身した倉澤。12年後の娘の命日を目前に、彼女はルオトが医療少年院を退院することを知る。そしてルオトが「完全に更生した」という話を聞くも疑心を抱かずにはいられない彼女のもとへ「あなたの大切なものを、もういちど奪います」というメッセージが届く。
导演：
Breno Silveira, Vicente Kubrusly
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Dom tells the story of Pedro, a handsome boy from Rio de Janeiro’s middle class who is introduced to cocaine in his teen years, putting him on the path to becoming the leader of a criminal gang that dominated the tabloids in Rio in the early 2000s: Pedro Dom. Shifting between action, adventure and drama, Dom also follows Pedro’s father Victor Dantas, who as a teenager, makes a discovery at the bottom of the sea, reports it to the authorities and ends up joining the police intelligence service. The series shows the journey of father and son living opposite lives, often mirroring and complementing each other, while both confront situations which blur the lines between right and wrong.
Starring alongside Gabriel Leone and Flavio Tolezani are Filipe Bragança, Raquel Villar, Isabella Santoni, Ramon Francisco, Digão Ribeiro, Fabio Lago, Julia Konrad and André Mattos, among others. Dom is directed by Vicente Kubrusly and Breno Silveira, who also leads the writing team, which includes Fabio Mendes, Higia Ikeda, Carolina Neves and Marcelo Vindicatto. The series is produced by Renata Brandão e Ramona Bakker from Conspiração. Antonio Pinto composed the original soundtrack.
导演：
Nigel,Bach
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Tom Riley thought he was getting the deal of a lifetime when he bought a house below market value at a Sheriff's sale. He invested every penny he had with the plan of flipping the home for a profit. Once he owned it, however, he noticed strange happenings, all of which were captured on 21 Surveillance Cameras located throughout the home inside and out. At first he thought people were breaking in, but he soon realized he was dealing with something Paranormal.
导演：
Edward,L.,Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
