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导演:
李昂
剧情:
在大城市打拼的女孩陈小满努力工作、省吃俭用,只为能攒够入股家族瓷器企业的资金,却因接连失业回到家乡。此时,陈小满的上司柯岩也遭遇到前所未有的挫败。为了能打一个漂亮的翻身仗,柯岩来到陈小满的家乡,寻求隐居于此的投资界传奇人物的帮助。陈小满与柯岩再次相遇,两人的命运因瓷器交织在一起。在柯岩的引导和鼓励下,陈小满决定走上创业的道路。在艰难的创业过程中,柯岩给予陈小满温暖的爱与有力的支持。陈小满鼓起勇气,开始直面家族企业的利益纷争,突破各种困扰,创新发展瓷器制造业。在柯岩一蹶不振的时候,陈小满邀请他一起创业,两人产生了美好的爱情。最终,陈小满打开了与家人的心结,让家庭重回温暖与和睦,她也成为了一个全新且更丰富的自己。
导演:
Stephen Robert Morse,Seth Porges
主演:
剧情:
在这部真实犯罪纪录片中,20世纪90年代西雅图一名富有魅力的叛逆者照搬电影中的情节,实施了一连串史无前例的银行抢劫。
导演:
德雷克·多尼恩
主演:
剧情:
一群知名的 TikTok 舞者被困在一个假扮成管理公司的邪教组织 7M 中。米兰达·威尔金就是其中之一,她的家人正在拼命地想把女儿救出来。其他舞者和前成员陆续逃脱并努力重建他们的生活,但直到他们聚集在一起试图制止施虐者的循环后,真正的愈疗才开始。这部由导演德雷克·多尼恩、Dirty Robber 和 WV Alternative 共同制作的三集纪录片揭露了邪教组织用来控制人们的邪恶手段,以及这些家庭为了保护他们的亲人所付出的努力。
导演:
约瑟夫·罗西
剧情:
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
导演:
伊日·门泽尔
主演:
剧情:
捷克“胜利二月”后的一处废铁回收厂里,因宗教信仰不愿在周日工作的厨师帕维尔(VáclavNeckár饰)与检察官、哲学教授、奶牛场主等人组成的一只劳动小组正在罢工,昔日工人、如今他们的头头奉命带领一支剧组来这里拍摄宣传电影,导演获悉罢工后拂袖而去,但这次拍摄却把帕维尔和在附近劳改的美丽女犯基塔(JitkaZelenohorská饰)的手牵到了一起。贸易协会派人劝解罢工,反被奶牛场主反诘,而奶牛场主也至此不知所踪。同时看管女犯的法警结婚了,而工人们只能唠着哲学与艺术的话题偷窥女犯人们。不久少先队员来访,教授质问带队的辅导员,结果他也不知去向了。基塔终于答应了帕维尔的求婚,两人进行了一场缺席婚礼,最后大领导视察地区工作,帕维尔向他提出了跟教授一样的问题……本片遭禁21年后获1990年柏林金熊奖、国际影评人费比西奖。
导演:
朱拉·亚库比斯克
主演:
剧情:
Althoughthetitlewouldindicatethisfeaturehasareligioustheme,itrefersonlytomenbetweentheagesof30and33.Juraj(JiriSykora)isarecentgraduateoftheartinstitutewhoisuncertainabouthisfutureasapainter.HisbrotherAndrej(VladoMueller)isthebusinessmanwhohastheconfidencehisbrotherlacksbutistroubledbyhisstrainedmarriagetohiswife.Jurajfallsforhisbrother’swife,whileAndrejfallsforJuraj’sgirlJana(JanaHernova),butAndrej’sdeathinacarcrashputsanendtothetwounconventionalloveaffairs.Theappealofthefilmistheinteractionofthetwobrothersthatstrikesaresoundingnoteoffamiliaritytoanyaudience.——DanPavlides,AllMovieGuide
导演:
大卫·雷奇
剧情:
特技演员为爱犯险,翻身做主角。
科尔特·西弗斯(瑞恩·高斯林 Ryan Gosling 饰)是一名特技演员,就跟这个行业的每一个特技演员一样,他常常被炸飞、辗压、破窗而出以及从高处坠落地面,全都是为了娱乐观众。如今,他才刚因为意外受伤几乎被迫无法再从事特技表演,平凡的科尔特必须找到失踪的电影明星汤姆·赖德(亚伦·泰勒-约翰逊 Aaron Taylor-Johnson 饰)、破解一个阴谋,并且赢回他一生挚爱乔迪(艾米莉·布朗特 Emily Blunt 饰)的芳心,同时还要继续当一名特技演员。分身乏术、焦头烂额的他有可能一帆风顺吗?
导演:
珍妮特·诺达尔,穆尼亚·阿克,夏洛特·里根
剧情:
SeriestwojoinsChrisCarsonsixmonthslater.Chrisisattemptingtorebuildhislife,andhisrelationships,desperatetoavoidthecorruptionthatnearlysuckedhimunder.Heistryingtobeabetterpoliceofficer,abetterman,andmostimportantly,abetterfathertohisdaughterTilly.Allwhilststilldealingwiththerelentlesstraumaofbeinganightresponseofficer.Chriswantsadayjob.Chrisneedsadayjob.Butishepreparedtoriskeverythingtogetone?
导演:
塞尔吉奥·米米卡-戈赞
剧情:
美剧《光晕:夜幕降临》剧情是紧接《Halo4》和《Halo5》,其中游戏人物JamesonLocke(MikeColter饰演)将继续扮演核心角色,他即是一个“传奇的赏金猎人”,同时也是美国海军情报局的特工。在预告片中,JamesonLocke和他的团队陷入到一场有预谋的生物攻击之中,在那里他们很快发现了这个阴谋,他们随后被带到了一艘远古的飞行器里。在那里他们被迫“为生存而战,并对一切事物保持猜疑”,最终在忠诚和生存之间做出抉择。最后微软也表示,这部美剧《光环:夜幕降临》将与《光晕》士官长典藏版同期上映,预计从11月11日开播。
导演:
奥利维埃·纳卡什,埃里克·托莱达诺
剧情:
Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by bee...
导演:
多米尼克·塞纳
剧情:
为了写一本关于连续杀人狂的书,雅痞作家布莱恩·凯瑟(大卫·杜楚尼DavidDuchovny饰)携摄影师女友卡莉(米歇尔·佛贝丝MichelleForbes饰)打算以加州为目的地,重走一遍美国著名的杀手路线。途中布莱恩搭载了一对年轻的情侣厄立(布拉德·皮特BradPitt饰)和爱丽丝(朱丽叶特·刘易斯JulietteLewis饰)以分担昂贵的油费,而卡莉却对这两个邋遢懒散的年轻人始终持有怀疑的态度。果不其然,随着旅途的展开,细心的卡莉通过种种蛛丝马迹发现,这对年轻的情侣并不像看上去的那么简单,他们的身后似乎藏有某些不为人知的秘密。千里昭昭追随杀手的脚步的两人没有发现,真正的杀手正潜伏在他们的身边……