Ding
搜索"Ding" ，找到 100部影视作品
导演：
马特·威廉姆斯Matt Williams
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令人绝望的环境会促使一个人做出糟糕的选择.在1957年,在伊利诺伊州的一个小镇生活的沃克·佩恩跟妻子离婚后,一直照顾着自己的两个女儿.他平时的两样嗜好是威士忌和女人.为了维护家庭和嗜好,他在附近的一个煤矿工作.一天,煤矿突然倒闭,工作的一时找不到,佩恩不得不为金钱而焦虑,而此时前妻决定离开小镇去上一个护士学校,要求佩恩付给她5000美元,否则她就把两个女儿带走.此时,一个有魅力却不道德的家伙塞勒斯。
导演：
马特·威廉姆斯Matt Williams
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令人绝望的环境会促使一个人做出糟糕的选择.在1957年,在伊利诺伊州的一个小镇生活的沃克·佩恩跟妻子离婚后,一直照顾着自己的两个女儿.他平时的两样嗜好是威士忌和女人.为了维护家庭和嗜好,他在附近的一个煤矿工作.一天,煤矿突然倒闭,工作的一时找不到,佩恩不得不为金钱而焦虑,而此时前妻决定离开小镇去上一个护士学校,要求佩恩付给她5000美元,否则她就把两个女儿带走.此时,一个有魅力却不道德的家伙塞勒斯。
导演：
Luke Meyer,安德鲁·尼尔
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Darkon是一个游戏组织，自1985年起一直活跃在巴尔的摩和华盛顿地区。每隔一周，就有大约150至300名成员聚集起来，整理装备，集体在网上开战。本片对Darkon组织所进行的活动进行了记录。
导演：
恩斯特·刘别谦
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汤姆（弗雷德里克·马奇 Fredric March 饰）是一名内心怀揣着远大理想的剧作家，而乔治（加里·库柏 Gary Cooper 饰）则是一位名不见经传的小小画家，两人同为文艺界人士，在巴黎合租了一幢公寓。一次偶然中，汤姆和乔治邂逅了名为吉尔达（米利亚姆·霍普金斯 Miriam Hopkins 饰）的女子，两人同时被吉尔达与众不同的魅力所深深吸引，坠入了情网。 然而，夹在这两个男人之间的吉尔达无法做出选择，于是想出了一个注意，那就是住进汤姆和乔治家中，督促他们创作作品，就这样，一段奇怪的三角关系形成了。为了创作一部话剧，汤姆需要返回伦敦待一阵子，他十分担心在他不在的这段时间里，乔治和吉尔达之间会擦出火花。
导演：
斯图亚特·艾伦
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这次多了两个学生，来自匈牙利的Zoltan和来自瑞典的Ingrid美女。 Danialle的万人迷地位受到威胁，Mr.Brown又多了两个头疼的学生 笑料接连不断
导演：
厄尼·巴巴拉什
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黑夜里，狭窄的小巷中，一个男人被追赶到僻静的角落，发现有一个女乞丐用奇异的眼神审视自己，之后男子面对摄像头突然眼窝充血，哀嚎后不省人bbb。在医院里，由于男子的社会保险过期，所以在大夫斯戴克勒（神奈川宏幸饰）的授意下，他被送到了神秘的F病房。在这里，一位悲痛欲绝的女士见到了自己奄奄一息的丈夫卢克（小库珀·古丁饰），后者因遭遇车祸而受伤。不久，卢克身怀有孕的妻子离开了人世，这让他悲伤欲绝。为了查明真相，他开始回忆，把短信、博客、电邮等一系列的存档通通调出来，慢慢地发现了端倪。原来，他的大脑其实被植入了Hexx公司的芯片，后者利用他的生命在做着不可告人的勾当，为了揭穿Hexx公司的丑恶居心，卢克开始了一个人的抗争……
导演：
罗伯特·泽米吉斯
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迪士尼将动画片《匹诺曹》（Pinocchio）改编成真人电影，由罗伯特·泽米吉斯（《阿甘正传》《回到未来》）执导。 迪士尼1940年版动画片《匹诺曹》（Pinocchio）是根据意大利作家卡洛·科洛迪（Carlo Collodi）的《木偶奇遇记》（The Adventures Of Pinocchio）改编的，曾获两项奥斯卡奖。故事主要讲述老木匠杰佩托（Geppetto）造了一个木偶，给他起名叫匹诺曹。匹诺曹一心想成为真正的男孩，但因为撒谎学坏而受到惩罚，变成了驴被坏人贩卖的冒险经历。 匹诺曹的最大特点就是一撒谎鼻子就会变长，这个典故现在也被全世界的人们所广泛使用。 迪士尼不是唯一一个打算拍《匹诺曹》电影的，吉尔摩·德尔托罗（Guillermo del Toro）和Netflix合作，将于2022年12月推出3D定格动画版《匹诺曹》（Pinocchio）。 此外华纳兄弟也曾计划过一部真人版的《匹诺曹》（Pinocchio），还打算让本·斯蒂勒（Ben Stiller）执导，让小罗伯特·唐尼（Robert Downey Jr.）同时扮演匹诺曹和他的木匠爸爸，不过该计划早已没有了动静。
导演：
彼特·克林逊
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该片被公认为英国电影的巅峰佳作之一，在英国电影学院评出的100部最佳英国电影中名列第36。片中汇集了大批当年英国影坛的红人。大盗查理(迈克尔·凯恩)刚出狱就急不及待要大乾一票，准备截劫从中国运到意大利的四百万美元黄金。查理在一名黑道头目资助下，展开了一个天衣无缝的盗金计划，出动了三架库珀豪华车、一队积架车及公车来堵塞交通。片中一幕宝马库珀豪华车(MINI Cooper)在好莱坞名人大道上疯狂地追逐，穿过地铁隧道入口，沿着只有迷你汽车才能行驶的狭窄小路狂奔，被认为是影史上经典飙车追逐场面，让观众体验到前所未有的紧张刺激......
导演：
Edward,L.,Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
斯图亚特·艾伦
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这次多了两个学生，来自匈牙利的Zoltan和来自瑞典的Ingrid美女。
Danialle的万人迷地位受到威胁，Mr.Brown又多了两个头疼的学生
笑料接连不断
导演：
R.J.,Cutler
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由荣获美国艾美奖导演R·J·卡特尔执导的全新纪录片《九月刊》，聚焦时尚界女王级人物安娜·温图尔，记录了这位任职《时尚》杂志长达20年的传奇女主编，以及围绕在她身边的时尚编辑团队们，共同准备、创作杂志2007年九月刊的出版的全过程。全片历时三年筹划，进驻位于纽约时代广场的VOGUE集团总部跟拍长达八个月，累积超过300小时的影像素材，详实纪录史上最具份量的9月号VOGUE专刊，由企划到付印的精彩全过程。 安娜·温图尔，她的名字不仅在平面媒体行业里如雷贯耳，更成为时尚界极具影响力和极富标志性的代名词。这位电影《穿普拉达的女王》里讲述的“时尚女魔头”，在本部纪录片中褪下神秘的面纱，畅谈时尚以及家庭对自己的影响，让人见识到她隐藏在冰冷外表下，对工作与亲情的热爱与执着。
导演：
李振飞 Zhenfei Li
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影片围绕一宗波云诡谲的“鬼楼杀人案”展开，讲述警察甄小火前往调查时遭遇的一桩又一桩险象环生、扑朔迷离的诡事。民国晚年，时局动荡，民生飘摇，屡有少女遭红衣女鬼劫持失踪，失踪少女陈尸鬼宅之中，脚上都穿着诡异的红色绣花鞋。警局中人避之不及，唯有青年女警甄小火，不信鬼神之说，坚持追查此案。随着深入调查，一件件扑朔迷离的案件浮出水面。
导演：
奇摩·斯丹波尔
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为了拯救罹患重病的母亲，女大学生米拉（莫迪埃夫罗西娜 饰）跟一群朋友前往偏远的山村「舞者村」，要将母亲收藏的手环归还给守护当地的妖怪「巴达拉乌希」（奥若拉莎拉 饰），结果却意外引发一连串恐怖的遭遇……。
