Din
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导演：
Edward,L.,Cahn
剧情：
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
斯图亚特·艾伦
主演：
剧情：
这次多了两个学生，来自匈牙利的Zoltan和来自瑞典的Ingrid美女。
Danialle的万人迷地位受到威胁，Mr.Brown又多了两个头疼的学生
笑料接连不断
导演：
Jensen,Noen
剧情：
Accomplished novelist Richard Sykes struggles to come up with a concept for a new book while trying to resolve his troubled marriage to Haley. In the process, he seeks out friends and colleagues to assist him in overcoming his personal demons that may servr to make him or break him.
导演：
Don,Sharp
剧情：
The movie chronicles the events of history's man of mystery, Rasputin. Although not quite historically accurate and little emphasis is put on the politics of the day, Rasputin's rise to power and eventual assassination are depicted in an attempt to explain his extraordinary power and influence.
导演：
斯维亚托斯拉夫·波德加耶夫斯基
主演：
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Dark Spell is a story about the girl named Zhenya who suffers from being in love with her husband that has left her, so she decides to bring him back. Desperate heroine casts a spell called Black Wedding, which is a magical ritual known for its great power and irreversibility. After the ritual, her beloved husband comes back, although his love becomes more like an obsession he is even ready to kill Zhenya, so as not to give her to anyone. When the maddened husband dies, the spell does not stop because even death will not part those who were betrothed by the demon of black wedding.
导演：
帕蒂·布莱斯纳奇
剧情：
一群医学院实习医生某晚在医院附近酒吧玩乐时捉弄具有偷窥癖的医院清洁工肯尼斯（安德鲁-李•波茨 Andrew-Lee Potts 饰），并戏虐他为“疯狗”。被逼饮酒过量的肯尼斯癫痫发作昏厥，成为植物人，就要被终止治疗实施安乐死。倍感内疚的实习医生凯萨琳（阿莉尔•凯贝尔 Arielle Kebbel 饰）违反章程给肯尼斯注射了某种还在实验阶段的混合药物，试图让肯尼斯尽早苏醒，却没想到药物竟促成了肯尼斯灵魂出窍，附体到他人身上开始残忍的复仇行动。等到凯萨琳察觉出问题所在，却为时已晚，肯尼斯的灵魂早已脱离掌控，不管是陌生人还是朋友，甚至包括自己，凯萨琳还能相信谁？
导演：
塔季亚娜·利奥兹诺娃
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《春天的17个瞬间》描写了1945年的春天，潜伏在德国帝国保安局第6处20年之久的苏军侦察员施季里茨突然接到总部指示，要他设法查清德国党卫军高级军官与美、英单独媾和的情况，并查清与西方谈判的神秘人物是谁。在联络电台遭破坏、报务员被炸身亡、无法与上级再次联系的情况下，施季里茨冒着被敌人怀疑、监视的危险，经过17天惊心动魄的斗智斗勇，终于得到了德国党卫队参谋长沃尔夫与美、英司令部代表在瑞士伯尔尼秘密谈和的情报，使苏联政府及时揭露了敌人的阴谋。就在他即将凯旋与分别20年的妻子团聚时，上级却希望他继续潜伏……《春天的17个瞬间》被人们誉为“非凡的影片，它甚至使那些惯于吹毛求疵地把影片同历史进行对照的人，也不由得倾倒于影片的魅力。”编导出色地把纪实手法与艺术虚构融合在一起。影片的故事情节以施季里茨调查法西斯上层人物与西方秘密谈判媾和为核心，却又以他与德国党卫军的周旋以及党卫军内部的斗争为线索，剥丝抽茧、层层推进，全片不见“历史瞬间”的快速闪过，而是以慢节奏细腻展现主人公的斗争历程，使纪实性、戏剧性、历史性得以完美统一。施季里茨是全剧着力塑造的英雄人物，他富有斗争经验、充满智慧，有着坚定的信仰和不畏艰险、视死如归的革命英雄主义精神，因而能在敌营中一次次完成总部交给的任务。著名演员吉洪诺夫在该片中的表演沉稳、干练、富有内在的激情，具有强烈的历史感和时代气息。同时，导演还运用闪回、内心独白和细微的动作刻画人物复杂的内心世界，片中施季里茨与分别10年之久的妻子在咖啡馆里秘密会面时，为了不被敌人察觉，他们佯装成陌生人，隔桌遥相对视，在20分钟里一言不发，完全靠眼睛这扇“心灵的窗户”将人物内心强忍的离别痛苦和无限思念之情表达出来。由于《春天的17个瞬间》在艺术上取得的突出成就，该片编剧、导演、摄影、美术以及主要演员吉洪诺夫、波罗涅沃依集体荣获1974年俄罗斯联邦国家奖金。
导演：
Michael Gleason,Rocky Lang
主演：
剧情：
斯蒂尔是个潇洒，智慧而且浪漫的侦探。这位神秘的侦探总是和他的助手劳拉在不经意的情况下侦破了一件又一件的案子。而事实上，侦探社的真正操盘手正是劳拉。因为人们总是不不够信任一个女侦探，因为，看起来实在太柔弱了。于是劳拉制造了一个老板，侦探社开始接受一个一个的案子，而随着两人联手侦破案子的同时，感情的羁绊也渐渐加深。
导演：
奥图·巴瑟赫斯特,卢克·沃森
剧情：
一天夜里，本（本·威士肖BenWhishaw饰）正驾着车在路上急驶，前方视线里出现了一妙龄女子，该女子将车拦下，不由分说的钻进了车里，抵挡不了女子的柔情蜜意，本和她遂即发展出了一段露水情缘，而本怎么也无法想到的是，当他醒来之时，面对的会是一具冰冷的尸体和一桩蓄意谋杀的罪名。就这样，本被投入了监狱，在那里，残酷的生活等待着他，能否活下去全靠他自己。当所有人都在劝说本为自己做自卫辩护之时，只有弗朗西斯律师（VineetaRishi饰）坚定的相信着本的无辜，可没过多久，该律师就因为被指控和本有着不正当男女关系而身陷危机。就在这个节骨眼上，一段神秘的录像证明了本的无辜，本得以无罪释放，可是，很快，本就发现，这并不是游戏的结束，而仅仅是开始而已。
导演：
戴思杰
剧情：
故事发生在上世纪的80年代。著名的植物学家在一个岛上培育研究植物，他的性格严厉保守，与女儿陈安（李小冉饰）相依为命。这天，混血女子李明（米兰妮•詹姆帕诺米MylèneJampanoï饰）前来岛上实习，她父母在唐山地震中双双亡故。陈安于李明朝夕相处，二人暗结断背情愫，感情日渐深厚难分。陈安哥哥在西藏当兵，探亲归来，喜欢上了李明，父亲大力撮合婚事。此时陈安与李明已经互许终生，升华为情欲和爱欲交织的感情。为了二人可以相伴终生，李明决定答应这头婚事。然而，哥哥终究发现李明不是处女的秘密，怒不可遏，把李明打伤。李明逃回植物园，这时父亲才觉察到了李明与女儿之间的不寻常关系。一场悲剧正在慢慢上演。
导演：
菲利普·格朗德里厄
剧情：
A car, following the Tour de France. Children screaming in front of the puppet show. Women, often prostitutes, trying to scream as they are being strangled. Then he will meet Claire, the virgin who will give herself to him, and perhaps deliver him from his malediction. Written by Gregoire Dubost {gregoire.dubost@polytechnique.fr}
导演：
多卡·弗默斯
主演：
剧情：
BiennaleCollegeCinemaAlonelyjourneymanworkingwithatravelingcircuswhoattemptstotameapythoninthehopesthatitwillbringhimclosertothefamilyrunningtheshow.
导演：
R.J.,Cutler
剧情：
由荣获美国艾美奖导演R·J·卡特尔执导的全新纪录片《九月刊》，聚焦时尚界女王级人物安娜·温图尔，记录了这位任职《时尚》杂志长达20年的传奇女主编，以及围绕在她身边的时尚编辑团队们，共同准备、创作杂志2007年九月刊的出版的全过程。全片历时三年筹划，进驻位于纽约时代广场的VOGUE集团总部跟拍长达八个月，累积超过300小时的影像素材，详实纪录史上最具份量的9月号VOGUE专刊，由企划到付印的精彩全过程。 安娜·温图尔，她的名字不仅在平面媒体行业里如雷贯耳，更成为时尚界极具影响力和极富标志性的代名词。这位电影《穿普拉达的女王》里讲述的“时尚女魔头”，在本部纪录片中褪下神秘的面纱，畅谈时尚以及家庭对自己的影响，让人见识到她隐藏在冰冷外表下，对工作与亲情的热爱与执着。
导演：
Phil,Desjardins
剧情：
《空中浩劫》（Air Crash Investigation）是一个由加拿大的Cineflix公司所制作的纪录片节目。此节目主要介绍1970年代黑盒子发明之后所发生的近代重大航空事故。在第三季时，有三集穿插铁道事故及航海事故。此节目在不同频道播出有不同的英文名称，于加拿大的Discovery频道播出时称为“Mayday”，在美国播出时称为“Air Emergency”，而在英国、法国和其他国家播出时称为“Air Crash Investigation”。《空中浩劫》会以模拟演出的方式，分别以乘客、机师等不同人的视角，从一开始旅客登机、起飞，一直到事故发生、后续善后及调查为止，重现整个过程。在片中会穿插对于乘客及机师的访谈（若有生还者且其愿意受访时），另外也会访问空难调查人员、目击者等。取材以事故调查报告及相关新闻报道为主；若因调查单位不公开报告以致无法取得事故调查报告时，则会征询相关专家的说法以拼凑出全貌。此节目对于飞机外观、空服员制服、机场等制作考究，但也并非100%做到与当时完全一样，偶有不相符之处，如波音737驾驶室变成空中客车A320驾驶室。模拟演出时，会找与当事人相貌近似的的演员参与。
导演：
Brian,Klein,Gary,Broadhurst
剧情：
The boys attempt to turn an old Renault Espace people carrier and turn it into a convertible people carrier. Richard road tests a pink Nissan Micra convertible. James road tests the funky new Honda Civic. Jeremy road test Sweden's outrageous supercar, the Koenigsegg CCX. The boys said good buy to the Suzuki Liana and welcome the new Chevrolet Lacetti as the new Reasonably Price Car.
导演：
米克·威伦,Billy Christian
主演：
剧情：
Travelerslookingforlodging.TheythenfoundtheMelatiInnandbecamegueststhere.Untilonedaytheyrealizedthatiftheywereinthere,theywouldnevergetoutagain.