Ho
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导演：
阿希姆·阿卢瓦利亚
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What unfolds in the posh lanes of a Delhi school? Where will their lives take them? The questions, for now, are unanswered, but they will be answered real soon.
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内详
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Inthisnewseason,30-year-oldAnitaneedstogobackto15totrytofixhersister’slife.However,JoelhackedintoherFloguinhoaccountandalsobecameatimetraveler.Sonowwhat?
导演：
格雷格·毕曼
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第三季故事开始于第二独立团抵达查尔斯顿七个月后。在此期间，查尔斯顿被指定为「新美利坚合众国」的首都，Tom Mason被推选为政治领袖（相当于总统）。但他大多数时间不是待在办公室里处理政务，还是率领军队顽强抵抗外星入侵者的一次次进攻。与前任Manchester博士比起来，Tom在对待外星人的态度上更具侵略性也更主动。查尔斯顿政府与起义的「突击者」形成了不太牢靠的联盟关系，Tom让「突击者」起义军留在查尔斯顿与人类并肩作战，但这引发了一些人类的不满，两个种族的关系持续紧张。「突击者」起义军在战斗前总是将脸上涂满红黄相间的条纹，以纪念在第二季结尾英勇牺牲的领袖「红眼」。Tom的儿子Ben现在是查尔斯顿政府与「突击者」起义军之间的联络人。无论人类还是「突击者」都明白，他们即便联手也很难打败强大的敌人——此前被第二独立团戏称为「鱼头」的外星种族Espheni。虽然他们的君王已死，但另一个更强大、更邪恶的君王刚刚继承了统治权。更糟糕的是，一个全新的外星种族在双方激战正酣时抵达地球并迅速投身战场。
导演：
西德·麦卡特尼
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WithseriestenduetolaunchonSunday18Aprilat8pmandseries11abouttocommencefilming,CallTheMidwifewillnowbeonairuntil2024.Series12and13,commissionedbyPiersWenger,DirectorofBBCDramaandCharlotteMoore,ChiefContentOfficer,willconsistoftwo8x60’seriesandtwoChristmasspecials.
导演：
Edward,L.,Cahn
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
汤姆·霍兰德,Tom,Holland
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吸血鬼狂热爱好者查理•布莱维斯特（William Ragsdale 饰）最大的爱好就是在深夜看恐怖电影。某晚，他隔壁的空房子里来了两个不速之客，根据多年观看恐怖片的经验，查理断定这两个人一定是吸血鬼。然而无论是警察，还是好友女友，没有一个人相信他的说辞。 万般无奈之下，查理只能请来恐怖电视节目“颤栗之夜”的主持人皮特•文森特（Roddy McDowell 饰）。虽然文森特质疑查理的说法，但看在钱的份上他还是前来调查。面对纠缠不休的查理，吸血鬼杰瑞（Chris Sarandon 饰）该如何对付呢？
导演：
阿尔弗雷德·希区柯克
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博兰顿（约翰•达尔John Dall 饰）和菲利普（法利•格兰杰 Farley Granger 饰）都是哈佛的高才生，一天，都是同性恋的两人合谋杀害了同学戴维，并藏尸于一个大箱子中。或许是出于炫耀，他们做出了一个惊人的举动。那就是用装着戴维尸体的箱子当餐桌，邀请了戴维的父母、未婚妻、同学和茹伯特教授（詹姆斯•斯图尔特 James Stewart 饰）来赴宴。他们谎称戴维外出了，和客人们在戴维的“棺材”上进行着宴会。胆小的菲利普从宴会开始就开始坐立不安，但是博兰顿却不慌不忙，在客人中滔滔不绝。然而，聪明的茹伯特教授从博兰顿的谈话中渐渐察觉出事有蹊跷……
导演：
Darren,Berry
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Old school friends go on a paintball trip, miles away from civilization. Things go horribly wrong when they discover a cold-blooded masked killer moxia.cc is among them. Now they must fight to survive their school reunion.
导演：
Daniel,de,la,Vega,Pablo,Parés
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
导演：
Ben Kellett
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该剧主角布朗夫人是一个满嘴脏话但又无厘头活泼搞笑的曾独自把六个孩子抚养成人的母亲。剧情就从布朗夫人的子女已经成为社会大龄青年但还是和她生活在一起的情况下展开，当然一起居住的还包括布朗夫人的公公。生活中布朗夫人热情搞笑的调侃干扰着她儿子以及身边朋友们的生活，然而这些正是她每天的必修课，也正因为这些每天小小无厘头的调侃才组成了该剧的最大看点。《布朗夫人的儿子们》由英国喜剧明星BrendanO’Carroll出演BBC一台该剧中的角色AgnesBrown。此剧在爱尔兰和英国剧场出演时连续数年场场爆满，一票难求。这部六集连续剧仍保留了舞台剧中所有的笑料，惊喜和喜剧效果。剧本是由Brendan特意为BBC所写。英国喜剧明星BrendanO’Carroll出演BBC一台新剧中的角色AgnesBrown。AgnesBrown是全爱尔兰最无厘头最值得骄傲的母亲，她还是一个爱热闹的人，一个满嘴脏话的家长，她干扰着她儿子以及朋友们的生活。这出剧在爱尔兰和英国剧场出演时连续数年场场爆满，一票难求，这部六集连续剧保留了舞台剧中所有的笑料，惊喜，和喜剧效果。剧本是由Brendan特意为BBC所写。在这一集中布朗夫人的麻烦有：GrandadBrown觉得自己是个失败者，儿子Dermot和女友Maria分手了。布朗夫人想让Flynn医生去看看Grandad，她还打算和Maria谈谈，但一切貌似都弄拧巴了。布朗夫人的女儿Cathy是一个心理学学生，她给Dermot和Maria上了一课。但是布朗夫人忽然出现在课堂上并和Cathy吵成了一锅粥。困扰中的Dermot和Maria忽然意识到自己曾经是多么的固执，他们立刻和好如初。让大家更意外的是他俩订婚了。与此同时，Grandad在医院结束腔体检查时，一项温度读数戏剧性的报错了。by:m.yakubd.cc
导演：
Ben Kellett
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Mrs.Brown’sBoysbecamearunawaysuccessuponitsinitialbroadcast.EveryepisodeairedwonitstimeslotforRTÉ,withanaverageviewershipof753,500inJanuary,2011.Oneepisode’sratingbeatthatofRTÉ’sownratingsgiantTheLateLateShow,with856,000viewerstuningintowatch.However,criticsdislikedtheshow."Thewholethingisentirelypredicatedonviewersfindingamandressedasafoul-mouthedelderlywomanintrinsicallyfunny,"notedBerniceHarrisonintheIrishTimes."Ifyoudo,you’reawayinahack(andtheviewingfiguresareastronomical),butifyoudon’t,andyouthinkthatdiedoutwithLesDawsonandDickEmery,thenit’salonghalf-hour."TheIrishIndependentsaidthatMrsBrown’sBoyswasthetypeofTVprogrammethat"thatmakesyouvaguelyembarrassedtobeIrish".TheDailyTelegraph’sSamRichardsnotedthatshow’scomedyhasa"rudimentarynature",consistingof"anold-fashionedblendofsillyvoicesandslapstick,playedoutinfrontofalivestudioaudiencewhocollapseintogigglesatthemerementionoftheword“willy”.
