Pele

在她姐姐被谋杀后，尼克、她的妹妹和两个朋友通过太平洋岛屿皮划艇冒险寻求慰藉。 旅行几个小时后，女性被鲨鱼跟踪，她们必须团结起来，面对她们的恐惧并互相拯救。

Who is lovesick these days? A young journalist wants to expose the charming founder of a lovesick agency as a fake and embarks on a search for his own lost ability to love.

巴特克生活在波德哈莱地区的一个村庄，他在那里经营一个小农场，照顾着他孤独的母亲。直到有一天，他遇到了达维德，一个稍年长的男人，他在离开多年后前来探望他的家人。两人之间很快产生了感情，随后巴泰克压抑多年的欲望得到释放的出口。男孩觉得自己也想尝试改变：离开家乡，远走高飞。他想摆脱以前的他，尝试此前不敢想的东西，并最终在其他地方建立新生活。

暂无简介

Who is lovesick these days? A young journalist wants to expose the charming founder of a lovesick agency as a fake and embarks on a search for his own lost ability to love.

爱情从来本应只是两个人的事，但当一段感情要开开心心长流不息，最终注定还是要看双方家长面色。来自德国的Maria与犹太裔恋人Shira甜蜜幸福，相恋不久已决定长相厮守。当Maria来到以色列与Shira共聚，才发现文化冲突水土不服令她无所适…

即将成为合伙人的律师劳拉，回到故乡：一个热带岛屿，试图说服童年好友齐普继位家族。不过齐普开出了一个条件，只有制造让他开心的时刻，他才愿意读一页合同文件。在劳拉制造惊喜愉悦的过程中，两人愈走愈近

After her sister's murder, Nic, her younger sister and two friends seek solace through a Pacific island kayaking adventure. Hours into the trip the women are stalked by a shark and must band together, face their fears and save each other.

EliCasey（SkylerPinkerton饰），一个刚刚崭露头角的摄影师，同时也是一个戒毒者。在一场爆炸中，他的儿子被人绑架，他和他的妻子也分开了，他放弃了他的摄影师工作。但在他经纪人的劝说下，EliCasey勉强同意拍摄一场婚礼。在那里，他拍了一些照片，一对可疑的夫妇贿赂他，想让他删除某些照片。EliCasey拒绝了。第二天，EliCasey发现婚礼上有个姑娘不见了，EliCasey决定要拯救那个女孩。

与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

影片以日记的形式呈现。无所事事的年轻人米歇尔（马丁·拉萨尔 Martin LaSalle 饰）在赛马场目睹了一个小偷偷窃的全过程，他被小偷那自信优雅的手法所吸引遂即加入了偷窃的勾当。爱读书，坚持虚无主义哲学思想的米歇尔坚信偷窃是一种手指的芭蕾，一场完美的行窃就像一场精彩的行为艺术。米歇尔有一个久违的病重的母亲，在去探望的时候结识了一直照顾他母亲的邻居珍妮（玛莉卡·格林 Marika Green 饰），漂亮的珍妮唤醒了米歇尔心中沉睡已久的感情。米歇尔被警察盯住了，警长虽然三番五次的给了他改过自新的机会，但米歇尔依旧沉迷于他的“艺术”中无法自拔，很快，米歇尔被捕了。 　　珍妮来狱中探望米歇尔，她向他袒露了自己的真情，米歇尔在泪水中猛然醒悟，当生命中还有所爱的人存在，生活就不会是一片虚无。