Gila

瓦尔特·梅尔卡多是一位雌雄莫辨的著名占星家。几十年来，他的奢侈作风和积极的态度使1.2亿拉美裔观众为之着迷。后来，他从大众的视线之中消失了。《MuchoMuchoAmor》由获奖的纪录片导演克里斯蒂娜·科斯坦蒂尼（《科学展览会》）和卡里姆·塔布舍（《最后的圣地》）共同执导，并由亚历克斯·富梅罗（《蒂姆·罗宾逊短剧：还不快走》）担任制片人。

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

雅丝敏德林是土耳其知名演员，多年来过着双重生活。以知名度为掩护，雅丝敏意外的双重人生带她进入一场充满秘密的冒险。

Adam,anarchitect,haslivedatraumaticlifefortwoyears.Heistraumatizedbyseeinghiswifeandchildbeingkilledinfrontofhiseyes.Becausehecan’tfeelcomfortableatwork,hevisitsAmanda,apsychiatrist,atthesuggestionofhisfriend.Inthehealingprocess,hecantakerevengeononeofhisfamily’skillers.Thenproceedwithlookingforthenextkiller.Heisalsoromanticallyinvolvedwithhispsychiatrist,whoturnsouttobethesisterofathirdassassinhehasyettokill.亚当是一名建筑师，两年来一直过着痛苦的生活。他看到妻子和孩子在他眼前被杀，这让他深受创伤。因为他在工作中感到不舒服，所以在朋友的建议下，他拜访了精神科医生阿曼达。在治疗过程中，他可以报复杀害他家人的凶手之一。然后继续寻找下一个杀手。他还与他的心理医生有浪漫的关系，原来他是他尚未杀死的第三个刺客的妹妹